5 Lenses that Every Nikon Shooter Needs to Know About

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  • dissentdissent Posts: 1,342Member
    +1 pictureted. A nice, relatively lightweight lens for outdoor event shooting.
    - Ian . . . [D7000, D7100; Nikon glass: 35 f1.8, 85 f1.8, 70-300 VR, 105 f2.8 VR, 12-24 f4; 16-85 VR, 300 f4D, 14E-II TC, SB-400, SB-700 . . . and still plenty of ignorance]
  • AndrewzAndrewz Posts: 122Member
    Interesting list I have none of them, well sort of. I have the older 80-200 AF-S f/2.8 and a 50mm f/1.8D. But I agree no mention of the 24-70? and what about the 14-24mm f/2.8 my favorite lens. 800mm really I'd never use it, I rarely use my 80-200.
    D750, P7000, F100 80-200 f2.8 AF-S, 24-120 f4, 50 f1.8D, 85 f1.8G, 14-24 f2.8

    Old friends now gone -D200, D300, 80-200 f2.3/D, 18-200, 35 f1.8G, 180 f2.8D, F, FM2, MD-12, 50 f1.4 Ais, 50 f1.8 Ais, 105 f2.5 Ais, 24 f2.8 Ais, 180 f2.8 ED Ais
  • BabaGanoushBabaGanoush Posts: 252Member
    Lots of negative comments here about the list itself, but also the 70-300mm lens. Makes you wonder why Nikon recently brought out two consumer-level versions of 70-300mm for the D3400 but no pro-like replacement for the 70-300mm nor a pro-level DX version.
  • picturetedpictureted Posts: 153Member

    Lots of negative comments here about the list itself, but also the 70-300mm lens. Makes you wonder why Nikon recently brought out two consumer-level versions of 70-300mm for the D3400 but no pro-like replacement for the 70-300mm nor a pro-level DX version.

    I did not like the 70-300VR much until recently. It does, however, seem altogether better on the D500. I've been tempted to see whether it's the better AF, but I now use the lens regularly.
    pictureted at flickr
  • IronheartIronheart Posts: 3,017Moderator
    I've noticed that the 70-300 is a bit better on the D500 too. I think the combo of better AF and the better ISO performance (which leads to being less fearful of stopping down) has given it a new life for me.
  • DaveyJDaveyJ Posts: 1,090Member
    I have owned four of these lens. I have four of the 70-300VR due to our set up, several photographers, etc. I got rid of the 70-200. The 800 is fine for some but it is the lens I would not use in the field unless I knew darn well I could not get closer! To me that lend is the epitome of a sidelines lens! I do sideline photography, I'm either out in it, or I'm not there! You would have to have another camera and a wider angle lens to,use a 800mm!
  • spraynprayspraynpray Posts: 6,545Moderator
    I'll get the 50 as it is so cheap. It isn't a focal length I use a lot so I'm not getting another art. 70-300? Nah, too much variation in samples.

    Generally, that article is really weak IMHO.
    Always learning.
  • Capt_SpauldingCapt_Spaulding Posts: 738Member
    Without getting into the relative merits of the article, I've noticed a bit of asparagus being cast at the 105 macro. I'm curious as to what issues folks have with it?

    I can see the 70-300. I own it and use it pretty extensively on a D610 and a D7200 and while it performs well for me, I can see some of it's limitations. I haven't spent much time behind really good tele-zoom lenses and could very well not know what I'm missing.

    But the 105 seems pretty darn competent to me.

  • WestEndFotoWestEndFoto Posts: 3,745Member
    The issue is that it is not as good as the 105 1.4. So not really an issue. It is a great lens, though I picked the 200 f/4.0 macro.
  • picturetedpictureted Posts: 153Member
    For me the issue with the 105VR is that while it's good optically, it's just not in the same category as such legendary lenses as the Nikon 200/4 macro, the Zeiss 100/2 Makro Planar or the Nikon 105/2.5 AIS for portraits.
    pictureted at flickr
  • picturetedpictureted Posts: 153Member
    Ironheart said:
    Actually I think the new 105/1.4 might become legendary (like the 200/2 and almost all the super telephotos). I'd love to have it.
    pictureted at flickr
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