Hi everyone, I thought I'd post something here because every nikon user I know ( and there are a good few) , loves to hear about someone jumping over the fence from canon !!! I'm a semi pro, turning pro next year, who shoots with my identical twin brother , our website is mikecroshaw.com , we do weddings , lighting courses, and lots of portrait work
so, why the switch ? I was shooting with a canon 5d mk 2, and then changed to a fuji xe1, which is a fabulous camera, but unfortunately I found that a lot of clients were not impressed when I turned up with the tiny fuji ! It's a sad fact that appearance still matters, and paying customers still want to see a mean looking dslr hanging from your long suffering neck , so we both looked at getting the same systems, the idea being we could swap lenses when necessary. Here are my main reasons for gong to nikon,
1) value for money . Sorry canon , I love the kit, but I picked up a d800 for £1600 , brand new !
2) the speedlights - Nikon speedlights rock, and I love the CLS system
3) image quality . If you have good technique, and patience , the d800 can produce jaw dropping studio work.
Since I've started using the d800 I've absolutely loved it. It's not perfect, no camera is , but it has a lovely interface, and so far I'm very happy to have made the switch, it helped not having any canon gear left, I can understand if you have a few l series lenses my reasons may not be enough, but for me , and my brother , it was an easy choice.
I have done a few pro shoots now, and still getting used to where everything is, but so far so good!
Comments
We here and NRF, help each other regarding photography itself, followed by the gear needed to obtain the task at hand. Sure we love (and dislike) our Nikon equipment at times, but we, as a community, focus in helping each other. In fact, there have been many times that we question the move a shooter is making from Canon, given the amount of gear he or she informs us about in having. Hence, NRF objective is not about get Canon shooter to leave Canon and go Nikon.
We look forward in having your input given your new interface. Moreover, those that have Canon and are considering the path you have taken.
|SB-800, Amaran Halo LED Ring light | MB-D16 grip| Gitzo GT3541 + RRS BH-55LR, Gitzo GM2942 + Sirui L-10 | RRS gear | Lowepro, ThinkTank, & Hoodman gear | BosStrap | Vello Freewave Plus wireless Remote, Leica Lens Cleaning Cloth |
My choice is Nikon for three reasons. One is history. When I was a kid shooting moose, dear, mountain sheep and bighornes with my 7mm Remington Magnum I used a Bushnell scope. When I was about 9 years old I started getting really good on the range and was getting three shots in the same hole at 100 yards 50/50. I could never hit a 6 inch gong at 1,000 yards. I then upgraded to a Nikon Scope and immediately started nailing the 100 yard target 100% of the time and the 6 inch gong at 1,000 yards about 50/50 and then improved after. That was a very early lesson in the benefits of great optics and it instilled an early loyalty to Nikon.
After that it was Nikon Roof prism binoculars - I currently own a Monarch 10 by 42 DCF. There was also a variety of Newtownion Reflectors (none Nikon of course) that I used for astronomy, but no longer own. When it came time to purchase a serious SLR, it was a Nikon F80 with the 28-200 3.5-5.6 that I bought in Tokyo. My only departure from Nikon since then was about 4 of the Pentax Optio S compacts that I "lived with" until a digital camera came out that I was sure would provide better image quality than film for a reasonable price - my D800 (though in hindsight, the D700 would have been fine). There was never a moment that I ever really wavered from Nikon. The Pentax exception was still tempered by the fact that Pentax was a real camera manufacturer, not some Sony or Samsung junk. A note on Sony, I was into high end audio when I was younger and Sony was regarded as "cheap consumer crap" in my crowd. Not sure anything has changed.
The second reason is this - I have a sense that Nikon has "a little more consistently" produced "a little better quality" products than Canon. I still acknowledge that Canon is great stuff, but feel that Nikon has a bit of an edge.
The third reason is that Nikon is the camera company least distracted by other lines of business. Sure they have a stepper business, Canon and Sony etc. are into a whole bunch of other things. "Nikon is relatively pure." I also acknowlegde that my statement does not do Leica, Mamiya, Hasselblad etc. justice, but I have never been in the market for those (I would be in the market for Leica if it had auto-focus).
My two, well maybe ten, bits.
http://www.mikecroshaw.com/2013/12/13/first-shoot-with-d800/
it's just an amazing camera. I ummed and arred about the d610, and I'm sure I would have been happy with it, but I am sooo happy with the d800:)
1:
They want a pro to buy FX.
2:
FX is coming down in price. In 3 years the 7XXX series will be FX. In 6 years the 5XXX series will be FX. In 9 years the 3XXX series will be FX. Nikon is even ready for it NOW with a solid consumer line of FX lenses.
Then there will be no point to DX. I predict that the last DX lens upgrade will be in less than 5 years.
One thing, I think that there would be a niche for a DX sensor in a interchangeable lens mirrorless compact that focused on consumers that want good quality in the smallest possible package. I think it will be a shorter flange to focal length (like the Coolpix A) that will work with "old" DX lenses with an adapter, but future lens design would be based on the shorter flange to focal length. DX would be a good size as smaller sensors will be competing against camera phones (yes, I think the Nikon 1 format does not have legs).
I have got to leave a response to jshickel's message. Over the past several months I was buying in that has FF DSLRs come down in price there would be less DX DSLRs. However, my opinion changed today.
I spent two hours with a Nikon representative today and at one point we were talking with the Canon representative and the Nikon rep said that Nikon said several years ago they wanted two lines of DSLRs, a DX and a FF series. Based upon what they saw at the last sales meeting, Nikon is planning to continue to both the DX and FF series. The Canon rep said that that is the official position of Canon as well.
So I asked about some of the FX lens that are old and need upgrades, coatings and VR. He acknowledged that there are many FX lens that need to be upgraded and that the weather and earthquake impacts has slowed the process of these lens and the D400.
Okay granted, I was talking to two sales representatives and they are not allowed to comment on new products, such as the D400. But what I found interesting was the committement to stay with the DX and FF formats.
|SB-800, Amaran Halo LED Ring light | MB-D16 grip| Gitzo GT3541 + RRS BH-55LR, Gitzo GM2942 + Sirui L-10 | RRS gear | Lowepro, ThinkTank, & Hoodman gear | BosStrap | Vello Freewave Plus wireless Remote, Leica Lens Cleaning Cloth |
I also concede that my view is an opinion that I acknowledge is making some speculative assumptions that may not prove to be correct.
However, I would consider two things:
The Nikon rep would probably get fired if he hinted that he agrees with my view. Nikon talking down the DX line would likely damage sales significantly. I appreciate that his views may be genuine, but even he is not privy to the thinking of Nikon's senior management. I would therefore take his view with a grain of salt.
Second, my view is not based on what I think that Nikon is thinking. Purely relating to DX's future (I consider my view on a "DC Compact" very highly speculative), DX's demise seems like the only logical outcome given that some day the cost difference between DX and FX sensors will be a negligible. Camera manufacturers are looking for every edge and why wouldn't they adopt the extra image quality of an FX sensor when the difference is only a few dollars (given Moore's law, it should be possible to forecast when this will occur for a given price). There is little inherent weight or size difference, as DX and FX have the same mount diameter. There must be people at Nikon that see the logic in this.
Put another way, if I was Canon's president and believed that Nikon did not see this, I would exploit what I thought was a potential weakness in my competition.
What do you mean by the f/stop advantage? It seems to me that larger sensors have the f/stop advantage as they have a narrower depth of field - it is easy to stop down but there is a hard limit on how much you can stop up. Maybe what you mean is that when you shoot with a smaller sensor, the depth of field can be enormous which could be an advantage in landscapes?
Unless you are arguing some technicality such as "Moore's law for camera sensors" is a 24 month law, not 18 months, I think that you have missed the big picture in a very dramatic way as it applies to computers, including camera sensors.
Or maybe your technicality is that I applied Moore's law to price when it should have been applied to transistors and on that narrow technical interpretation you are probably correct. However, I think anyone knowledgeable about Moore's law and its CONSEQUENCES would acknowledge that declining prices for equivalent quality is a corollary of Moore's Law.
In fact, Moore's "law" has been shown to apply to camera sensors, in a number of ways, including the cost of the sensor. E.g., Barry Hendy (formerly of Kodak Australia) noted that the pixel cost per dollar has doubled every 18 months since 1990:
Moore's Law applied to Sensor Pixel Cost, Wikimedia
Moore's law is an observation about economics, not transistor count (density) per se. Over time, one can improve transistor density at the same cost, and as a corollary, keep the same transistor density at a reduced cost. Hence sensors of all sizes will get cheaper in time all else being equal.
@Ade, I see what you did there ;-) I wasn't talking about pixels per dollar, I was talking about the total cost of the sensor, which of course will go down as well, but if pixel counts keep going up, these two factors will be mitigated. I'd love to see the extension of that graph past 2005. And I think you meant to say "halved" rather than "doubled".
I will amend my previous (somewhat) extreme position and say that Moore's law has some effect on the cost of a camera sensor, but it is not the only factor. We still hear Nikon reps quoting the sensor cost as a major driver of camera cost, as recently as the Df.
We should probably take this to a different thread as it is pretty off-topic.
|SB-800, Amaran Halo LED Ring light | MB-D16 grip| Gitzo GT3541 + RRS BH-55LR, Gitzo GM2942 + Sirui L-10 | RRS gear | Lowepro, ThinkTank, & Hoodman gear | BosStrap | Vello Freewave Plus wireless Remote, Leica Lens Cleaning Cloth |
Sorry to be so slow to respond to the "f/stop advantage". As focal lengths for a specific sensors are shorter as the sensor gets smaller, the lens can be much smaller for an effective "full frame" equivalent. The example of the Leica V Lux 3 which has from about 18mm to 600mm equivalent at f/2.8, yet is a very compact camera is specifically at the extreme example of what I was referring to.
@PB_PM, I'd hope that You meant to say " for all intent and purpose"... Smile
How come you guys & gals love to debate and banter so much, about lens and camera qualities,?
Ah, instead just go and shoot somebody, Or film something, practice more and preach less?... I guess.
Though it does help the rest of us, to decide purchases wisely. Thanks...
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