so, I just had a chance to try and use my variable ND filter last night doing long exposures. I got this terrible cross pattern at the higher settings. I just did some research on them, and apparently this is common with variable ND filters? These things are like $150. How can they charge that much if they don't really work at all the settings?
Here's an article I found on a Tiffen ND. I have a Hoya, but they both do the same thing-
http://www.ephotozine.com/article/tiffen-variable-nd-filter-review-20475wow... unbelievable waste of money. I hope I can get a refund.
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I have a Hoya and it works pretty good for most situations. You just need to know the limits of your gear. If you want to expand the limits, buy better gear (ie: non-variable NDs, constant aperture zooms, primes).
Seriously, how on earth can they give 3.5-4 stars to something that does not work ? Long exposures is what an ND is mainly for ( video / daylight wide apertures is not my thing ) and it is shown that it just does not do the job.
There are one's that do not have that - they are also $400+.
There is a bunch of garbage out there when it comes to filters. I thought I learned my lesson long ago, but then I got cheap (-er, still cost $100) and burned again with a 10-stop filter I took on vacation. Just another lesson in "Just do it right and spend the money." The amount sucks, hurts, and is usually ridiculously expensive for what it is, but with the money you spend on things that don't work, it easily adds up to what you should have spent originally.
so, I just had a chance to try and use my "variable aperture zoom lens" last night doing snapshots. I got this terrible blurriness when the sun started going down. When it came inside, it got even worse. I just did some research on them, and apparently this is common with "variable aperture zoom lens"? Apparently they are really slow (whatever the hell that means as if I have a PHD in photography - Geez!!!!) and the shutter gets really slow. These things are like $1,000. How can they charge that much if they don't really work at all the settings?
Here's an article I found on a 28-300 3.5-5.6 variable aperture zoom. I have a Nikon 28-200 3.5-5.6, but they both do the same thing-http://photographylife.com/reviews/nikon-18-300mm-vr/6
wow... unbelievable waste of money. I hope I can get a refund. - See more at: http://www.digitaltrends.com/photography/quick-guide-to-the-various-types-of-camera-lenses/
So the point of the above is that this is the same issue: variable ND vs fixed ND, variable aperture zoom vs fixed aperture zoom, prime vs zoom. They all have limitations. You can get around some of them as TTJ pointed out by spending more money, but they still have their limitations.
Before you give up on it, try covering your viewfinder while shooting. That might help a little.
@jshickele - please describe this better "blurriness when the sun started going down." What type of blurriness? Lens flare, shakes, ??? - If you can post an example it is easier to see what you mean.
Obviously I did not do a very good job.......
There is surely a large difference between blurriness because the camera needs long exposure times and a 150-Dollar filter by a respectable brand producing artefacts at specific settings that seem to be within normal usage range. Apparently, his "mistake" was that he used it as a too extreme setting, so why not just tell him that?
There is also really no need in asking why he needed to use a filter anyway if it was dark; I would assume he had a reason to make it even darker, and it's surely not the reason for the x-pattern polarizing artefacts that the framed scene is not brightly lit.
Yes, it's true that you have to know the limits of your gear, but indeed it's completely justified to ask why products that work so crappily are even sold, and not for 30 bucks, but for prices of brand products. Saying that there are even more expensive products doesn't justify selling crap for just-a-bit expensive.
When you buy a 1,500-dollar studio microphone, I guess you'd be confused for it to produce a lot of noise, and you wouldn't really accept the argument that there are 4000-dollar mics that don't. (Product prices in that market range from 99 thru something like 5000 dollars) Right?
@tiCreativeMedia: Yes, the variable ND filters suck (I hadn't even heard of any filters that don't, like @TaoTeJared describes). Then again, they're infamous for it, too, and it's always a good idea to do some research before buying something like that.
tiCreativeMedia has a valid point - variable ND filters do not work well in all situations. And thats good to know.
I, just like Msmoto, decided on two ND's and they have satisfied me totally. One is a Tiffen 3 stop and the other is B+W 10 stop. I decided to buy the B+W 10 stop over other brands because I read that other brands may change the hue of your final image. The B+W, although pricy, does not cause this hue change. The 3 stop is perfect for shooting wider apertures in bright sunlight for better bokeh. The 10 stop is perfect for brushed cloud patterns and smooth mirror-like water surfaces. I've occasionally combined them for 13 stops. Dealing with 2 filters might be slightly less convenient but each serves it's purpose wonderfully.
Oh... In terms of using a ND filter at night....I used my 3 stop ND while photographing the Toronto skyline at night from across the water on Centre Island. Posted on PAD several months ago. I forget but it was like a 120 second exposure. Beautifully smooth water in the foreground.
Like everything else in photography it is a compromise. There are advantages to Vari NDs and disadvantages. Just like there are advantages to single density filters and disadvantages.
I am not sure why there would be an argument on which is best. Best for what? It all depends and it is all a compromise.
An advantage of variable ND is the ability to dial-in any fractional f-stop. Need 2.5 f-stops of correction? 4.75? 5.33? 6.25? All covered, just rotate the filter to taste. This would be impossible to do with straight ND filters and is especially useful when shooting video in bright conditions as all your other settings (shutter speed, aperture, ISO) are often fixed due to other considerations. (Plus we don't have the latitude of shooting RAW video).
Yes, the interference pattern is something to be mindful of for this type of filter. In bright conditions at least, one can typically see when the patterns start to appear in the viewfinder and work around the problem if necessary.
@Rx4Photo The Lee Big Stopper is not a variable ND; it is a fixed 10-stop ND filter.
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I do not shoot video……yet.
with that said, I have now ordered a 10 stop ND, but I really want the variability.
THANKS!!
Dave