I spotted these when looking at public enemy No 1 ..Mr Rockwell in his pre Canon phase...
my little brain ins' t clogged with unnecessary thoughts like NEF algorithms or changing lenses, and my body is relaxed from not carrying all the junk others still do..
and
The Nikon 28-300 is an open and closed case for the end of the camera bag
Well we all know he is a JPEG fan but seems to have given up on his 6MP limit but I did not put him down as a one lens man.
Comments
I think the "secret" in approaching a particular job is to understand all the variables and unpredictable aspects of the shoot and do all I can to have these covered in some way or another.
Example: The NRF get together in Maine… my goal was to have a great time with all who attended, and to catch a lighthouse shot. 100% success IMO
To exceed my clients expectation. This is why I shoot RAW use a D800 and the best glass I can afford; when I could probably get away with shooting jpegs with a D5300 and the AF-S DX 18–300mm f/3.5–6.3G ED VR
If I shooting for myself, petty the same pretty much applies. most of my stuff ends up on FB but after waiting a couple of years, for the weather and location to be right and I do get a 5 star photo. I want the IQ to be good enough , for it to go above the mantel piece
For me, this means a focus on quality in all aspects. It is why I use primes - they generally have better image quality than zooms and given the wider apertures, are capable of shots that I would not be able to make with zooms. The primes also force me to think more carefully about my shot which contributes to quality and learning.
So I have the equipment nailed from a quality perspective. I have a long road ahead on the other perspectives.......
1. For people (my wife mostly) who ask me to take a picture because they want it on their cell phone or facebook. I shoot a D5100 in small JPG basic with a zoom lens. The quality is good enough. Better quality wouldn't be seen. In fact, this level of quality is good enough for PAD. Higher quality cannot be seen on PAD resolutions anyway.
2. For people who want a "professional portrait" complete with studio lighting and background. I shoot a D600 in large JPG fine with 50mm f1.4 or 85mm f1.8 or 105mm f2 DC primes. Recently, I have found that a zoom is adequate as long as I stop down to f8. Sadly, I find these people mostly want 5x7s and rarely want 8x10s. Thus, high quality is lost on them. I am sure I could do it in large JPG basic. In fact, I have some coming up in a few days and I set my D600 to large JPG basic for the shoot. I am tired of "throwing away" higher quality. I will be interesting to see if I find anything lacking. Ken Rockwell, I am sorry to say I am moving in your direction from experience!
3. For "Art" images I print to poster size I shoot either the D600 or the D800 with my sharpest lenses which could be primes or professional zooms. I find shooting RAW adds an unnecessary step for me. I can get pretty close to what I want by adjusting Picture Controls sub-settings and then do a final edit in Elements 11. RAW has not been that helpful to me to bother with the extra step most of the time.
But that is just how my photo philosophy has evolved at this time. Other people with other goals certainly should be doing things different than I happen to do now.
Yes, it's a hobby for me (with a few paid gigs here and there) but if I didn't produce results from my hobby efforts, the paid gigs probably wouldn't be requested.
If I don't record it, it will cease to exist.
If I do record it, I can share it with others.
The purpose of equipment and technique is to record accurately enough to preserve and attractively enough to share
"Discovery consists in seeing what everyone else has seen and thinking what nobody else has thought"--Albert Szent-Gyorgy
I like to step out of my comfort zone - that leaves me with a lot of junk pictures but most of the time i learn something.
I am struggling with post processing. But I am slowly getting better.
Edit to add: Sometimes I stay inside my comfort zone and get good pictures :-)
framer
framer
As a photographer you have no use for such a photo - unless you are in to black mail :-)
It is usually good to know who we are photographing, if possible, or shoot from a distance great enough so as to not draw attention to ourselves.
"Discovery consists in seeing what everyone else has seen and thinking what nobody else has thought"--Albert Szent-Gyorgy
Now that I am retried, I am shooting more, getting better, and there is no rush. For example I spent 2 hours in a field of sunflowers with 25 other photographers and I was the last one to leave. I shoot on my terms, when I want, and take as much time as I want. As someone already said, "Never ask permission, shoot, beg for forgiveness if necessary".
+1@Pitchblack - don't be boring.
That is sometime hard to achieve and a great objective.
|SB-800, Amaran Halo LED Ring light | MB-D16 grip| Gitzo GT3541 + RRS BH-55LR, Gitzo GM2942 + Sirui L-10 | RRS gear | Lowepro, ThinkTank, & Hoodman gear | BosStrap | Vello Freewave Plus wireless Remote, Leica Lens Cleaning Cloth |