As for this MF vs the current high-resolution Nikon D810...I think too would select the FX body. Having said that, I would like to one day have a MF in my bag.
D4 & D7000 | Nikon Holy Trinity Set + 105 2.8 Mico + 200 F2 VR II | 300 2.8G VR II, 10.5 Fish-eye, 24 & 50 1.4G, 35 & 85 1.8G, 18-200 3.5-5.6 VR I SB-400 & 700 | TC 1.4E III, 1.7 & 2.0E III, 1.7 | Sigma 35 & 50 1.4 DG HSM | RRS Ballhead & Tripods Gear | Gitzo Monopod | Lowepro Gear | HDR via Promote Control System |
While the optimum applications for a D810/800 and any MF have some intersection, they are divergent enough that a comparison searching for 'better' is really fuzzy.
If I shot exclusively landscapes or studio work, this might be interesting.
When I bought the D800e, I was contemplating MF and decided against it because:
- Flexibility, the D800/810 might not be absolutely optimum for every situation, but I cannot think of any where it is 'wrong'.
- MF are not suitable for subjects that can appear suddenly and move quickly. The 'hit rate' would be abysmal. I shot lots of news and wildlife with manual focus cameras (Nikon and Leica) and am very good at it, and would not dream of using one when a modern AF DSLR is available, it wold be like bringing a knife to a gunfight.
- long tele lens support for MF is non-existent. remember, staying a respectful distance from Ma grizzly and her cub ... 'priceless'.
- Even for landscape, a stitched multi frame panorama is the practical equivalent of larger sensor (with better lenses).
- The one situation where MF may be superior in a way that cannot be directly compensated is studio or fashion work where you have time to compose and focus, but models do move and stitching is not practical.
... H
D810, D3x, 14-24/2.8, 50/1.4D, 24-70/2.8, 24-120/4 VR, 70-200/2.8 VR1, 80-400 G, 200-400/4 VR1, 400/2.8 ED VR G, 105/2 DC, 17-55/2.8. Nikon N90s, F100, F, lots of Leica M digital and film stuff.
Comments
As for this MF vs the current high-resolution Nikon D810...I think too would select the FX body. Having said that, I would like to one day have a MF in my bag.
If I shot exclusively landscapes or studio work, this might be interesting.
When I bought the D800e, I was contemplating MF and decided against it because:
- Flexibility, the D800/810 might not be absolutely optimum for every situation, but I cannot think of any where it is 'wrong'.
- MF are not suitable for subjects that can appear suddenly and move quickly. The 'hit rate' would be abysmal.
I shot lots of news and wildlife with manual focus cameras (Nikon and Leica) and am very good at it, and would not dream of using one when a modern AF DSLR is available, it wold be like bringing a knife to a gunfight.
- long tele lens support for MF is non-existent. remember, staying a respectful distance from Ma grizzly and her cub ... 'priceless'.
- Even for landscape, a stitched multi frame panorama is the practical equivalent of larger sensor (with better lenses).
- The one situation where MF may be superior in a way that cannot be directly compensated is studio or fashion work where you have time to compose and focus, but models do move and stitching is not practical.
... H
Nikon N90s, F100, F, lots of Leica M digital and film stuff.