What's a cheap good value camera and lense setup for playing with medium format?
I would think film is the way to go and maybe a mamiya or pentax ? what focal length? Maybe something that is not bad so that if Interest grows I wont need to sell it to upgrade.
What would you recommend for general photography?
Post edited by heartyfisher on
Moments of Light - D610 D7K S5pro 70-200f4 18-200 150f2.8 12-24 18-70 35-70f2.8 : C&C very welcome! Being a photographer is a lot like being a Christian: Some people look at you funny but do not see the amazing beauty all around them - heartyfisher.
I was thinking about getting a Mamiya RZ 67 or RB 67 for while. They can be had under 500€ for a whole setup including lens on ebay if you take a bit of time. A rangefinder style Mamiya 6 or 7 is much more expensive. Also to consider a Pentax 67 / 6x7. I actually like shooting film. I'd love to get to know the whole process of developing and printing, which, of course, is the whole point. A part of me likes the idea of not having a lot of leeway in post, as it seems to make a good result that much more valueable. But maybe that's just the romantic in me... Of course it is expensive, time consuming, and ultimately harmful to the environment, so why bother.
If you want the challenge of Film Mamiya RZ.RB are plentiful on Ebay, plus you can get parts for these cameras. Bronica is another MF camera which is even cheaper but parts can be difficult to get. Both manufacture offer good ranges of lenses. Dust is the biggest problem with film, something we tend to forget with digital cameras. In the last few years there has been resurge in B/W film and manufactures of film and paper have slowly increased their prices , so the cost factor of not just the camera/lenses should be considered when you look at the whole format.
@ heartyfisher Can you tell what sort of photography you have in mind for landscapes, the wide angle rolleiflex is, IMHO, impossible to beat but they are collectors items, and hard to find don't worry about spares nothing much to wrong your other option is, a roll film back for a technical camera
I've owed or used all of these at various times. I always wanted a Hasselblad but could never afford one. I also always wanted to try a Mamiya rangefinder but same thing. I'd be careful purchasing any of these used as they are getting super old now and it's probably a gamble unless you purchase one from a reputable shop, but then you're probably going to pay a lot more anyway. Also be prepared to slow way down. You only get 10 to 20 shots per roll depending on if you're using 120 or 220 film and processing can be expensive. Black and White is probably the least expensive option if you can process the film yourself.
Holga 6x6 - 6x6 Super inexpensive toy camera if you just want to burn some 120 film. They can be fun. Yashicamat - 124g 6x6 Inexpensive Waist Level Viewfinder, not sure if the optics are the greatest, but fun Mamiya RB - 6x7 - Body is relatively inexpensive, lenses have leaf shutters so they can get pricey, but great for studio. Waist level or pentaprism depending on the attachment. Also hope you have a good tripod... Pentax 6x7 – Nice system, super heavy and don't forget to lock that mirror up! And they say the mirror slap on a d800 is bad... Landscape photographers choice.
My only reason to go film and MF again: Traveling to a place with difficulties to get energy so I needed to go fully mechanical and use spotmeter - a 9V Block lasts ages.
But then, all those surprises (good and bad) when coming back and developing the rolls (some risk...), the reduced choice of films these days (Fuji just put the Provia out of their list) against traveling light, shooting very quiet (as long as using leaf shutters only) and becoming underestimated like "look, granny still is using his battered say Cheeeeeese machine". I got some books about photographer Vivian Maier who was self taught street photographer and used to use a Rolleiflex. That was a moment I thought "yeah, could be fun to use".
I'd stay away from electronical controlled shutters, Mamiya 645, Contax, Bronica, Rolleiflex SLX/6000 as they caused problems in their lifetime and won't became better after all those years. I'd stay also away of too old relics, seagulls and Holgas. These cheap things are toy-level quality.
I still have an exposed roll from my Contax around but am hesitating developing it, don't know if the chemicals still work.
... I tried to shoot my 200/2.0 in the studio today while shooting a dancer and I just didn't have enough room, even though it gives you a medium format look.
Get a bigger studio? Just kidding :P Put up a wall of mirrors, you double the length. Now I know where the phrase smoke and mirrors came from...
@ heartyfisher Can you tell what sort of photography you have in mind for landscapes, the wide angle rolleiflex is, IMHO, impossible to beat but they are collectors items, and hard to find don't worry about spares nothing much to wrong your other option is, a roll film back for a technical camera
Maybe I am just collecting "formats" lol ! .. lets see I have a sumsung phone, a P&S, the Nikon1, DX and FX..
Actually I dont know what I will be shooting with it .. there is a lot of talk of the Medium Format "look" not so sure what it is :-) so what subjects most suit this medium format "look" ? (and what is it?)
I have tried to replicate it here .. using my 50mm ais on a DX with a 3 photo merge. maybe I will try it again with my FX camera ..
Post edited by heartyfisher on
Moments of Light - D610 D7K S5pro 70-200f4 18-200 150f2.8 12-24 18-70 35-70f2.8 : C&C very welcome! Being a photographer is a lot like being a Christian: Some people look at you funny but do not see the amazing beauty all around them - heartyfisher.
I think my image works out to be equivalent to about 30-40 mm FOV. Is that why there is the "fun house" distortion? ie the wideangle FOV. I was planing to try with a longer focal length.
Post edited by heartyfisher on
Moments of Light - D610 D7K S5pro 70-200f4 18-200 150f2.8 12-24 18-70 35-70f2.8 : C&C very welcome! Being a photographer is a lot like being a Christian: Some people look at you funny but do not see the amazing beauty all around them - heartyfisher.
@heartyfisher: Depends on what the distance to the subject is hearty. I took this snap with my DX D7000 using a 50 f1.4 and it has some of that about it. If it were a full length shot it would have been OK.
Sorry, I just wanted to be clear exactly what @pitchblack meant when he was describing the "funhouse" look.. :-) vs the medium format look ( "with compression" ) .
I guess what I want to know is what is this "medium format look".
Post edited by heartyfisher on
Moments of Light - D610 D7K S5pro 70-200f4 18-200 150f2.8 12-24 18-70 35-70f2.8 : C&C very welcome! Being a photographer is a lot like being a Christian: Some people look at you funny but do not see the amazing beauty all around them - heartyfisher.
If you shoot from about 15 feet away (5 metres) the image will look similar to how the human visual system perceives it. The focal length is irrelavent. Of course if you shoot from 5 metres with a wide angle, a human subject will be pretty small.
@PitchBlack: Are you saying that a 35mm on DX will look different than a 50mm on FX if you try to frame the same? I don't know how to convert to MF so I used DX and FX.
This shows how different focal lengths affect distortion. Notice the faces don't look natural as you get wider at the same framing. They look like a funhouse mirror:
If the face has the same size and the focal length varies - there must(!) be a change in distance inevitably. And that's the only thing making the face looking like in a fun house. If you keep the same distance and crop the faces, there wouldn't be this effect.
There's no way imitating a (true) medium format by using FF. Using a film cam like Rolleiflex or Hasselblad, it's 56 × 56 mm. Compared to FF Sensors and given a square format, it's a crop factor of 2.34, so the 80/2.8 standard lens actually would be a 35/1.2 on FF
I think he mistyped. I think @PitchBlack meant to say that keeping the face the same size in the frame while changing the focal length does what is pictured in the set of shots.
That's kind of a very artistic mistyping but I strongly agree with @PitchBlack's point that MF is more than just Megapixels. In theory we might get more details out of those 80 MP sensors, but still, the squarish 6×6 is a totally different feeling and way more beyond megapixels. Don't get me wrong, I love my FFs. I just know, MF is a different world, even if I only used a battered TLR like Rolleiflex or Mamiya C330 and scan the negatives afterwards.
Anyway, these days none of the so called medium format cameras comes close to what was medium format. Most of those sensor are a bit smaller than even 42 × 56 mm (6 × 4.5 cm)
I have never understood why that so called "medium format look" couldn't be duplicated with the right lens on a high megapixel FX body. Sometimes I think the "uniqueness of MF" is an illusion. It should all be a matter of optical physics and an identical "look' should be attainable. But I have never shot with medium format so the charge can be made that I don't know what I am talking about.
It's all about proportions of the real scene to a certain film or sensor size - megapixels only define kind of resolution. The bigger the sensor / film, the less on needs to enlarge until we see the finished picture. The less we need to enlarge, the more details are kept and the less noise - film grain or sensor noise - is taking over the details. If you could substitute sensor / film size, @donaldejose you'd get great wall size pictures out of a smartphone.
So, why is nobody getting great wall size pictures out of a smartphone? If it's just an illusion? If you don't see the difference what PhaseOne and Hasselblad show you on their galleries, then it's just nothing for you. Otherwise, try to make one of those picture with your FF and make it looking the same way.
Comments
Used Hassies aren't expensive are they? :-/
I actually like shooting film. I'd love to get to know the whole process of developing and printing, which, of course, is the whole point. A part of me likes the idea of not having a lot of leeway in post, as it seems to make a good result that much more valueable. But maybe that's just the romantic in me...
Of course it is expensive, time consuming, and ultimately harmful to the environment, so why bother.
In the last few years there has been resurge in B/W film and manufactures of film and paper have slowly increased their prices , so the cost factor of not just the camera/lenses should be considered when you look at the whole format.
Can you tell what sort of photography you have in mind
for landscapes, the wide angle rolleiflex is, IMHO, impossible to beat
but they are collectors items, and hard to find
don't worry about spares nothing much to wrong
your other option is, a roll film back for a technical camera
Holga 6x6 - 6x6 Super inexpensive toy camera if you just want to burn some 120 film. They can be fun.
Yashicamat - 124g 6x6 Inexpensive Waist Level Viewfinder, not sure if the optics are the greatest, but fun
Mamiya RB - 6x7 - Body is relatively inexpensive, lenses have leaf shutters so they can get pricey, but great for studio. Waist level or pentaprism depending on the attachment. Also hope you have a good tripod...
Pentax 6x7 – Nice system, super heavy and don't forget to lock that mirror up! And they say the mirror slap on a d800 is bad... Landscape photographers choice.
But then, all those surprises (good and bad) when coming back and developing the rolls (some risk...), the reduced choice of films these days (Fuji just put the Provia out of their list) against traveling light, shooting very quiet (as long as using leaf shutters only) and becoming underestimated like "look, granny still is using his battered say Cheeeeeese machine". I got some books about photographer Vivian Maier who was self taught street photographer and used to use a Rolleiflex. That was a moment I thought "yeah, could be fun to use".
I'd stay away from electronical controlled shutters, Mamiya 645, Contax, Bronica, Rolleiflex SLX/6000 as they caused problems in their lifetime and won't became better after all those years. I'd stay also away of too old relics, seagulls and Holgas. These cheap things are toy-level quality.
I still have an exposed roll from my Contax around but am hesitating developing it, don't know if the chemicals still work.
http://www.imdb.com/title/tt2714900/
- See more at: http://forum.nikonrumors.com/discussion/3760/does-the-equipment-you-use-affect-your-creativity-#Item_62
No one mentioned the "feel" of the camera
I think using Rolleicord, definitely has an effect on your creativity
Actually I dont know what I will be shooting with it .. there is a lot of talk of the Medium Format "look" not so sure what it is :-) so what subjects most suit this medium format "look" ? (and what is it?)
I have tried to replicate it here .. using my 50mm ais on a DX with a 3 photo merge. maybe I will try it again with my FX camera ..
Being a photographer is a lot like being a Christian: Some people look at you funny but do not see the amazing beauty all around them - heartyfisher.
If you are just a cheap camera, look at Rolleicords cheaper the the flex
Being a photographer is a lot like being a Christian: Some people look at you funny but do not see the amazing beauty all around them - heartyfisher.
I guess what I want to know is what is this "medium format look".
Being a photographer is a lot like being a Christian: Some people look at you funny but do not see the amazing beauty all around them - heartyfisher.
There's no way imitating a (true) medium format by using FF. Using a film cam like Rolleiflex or Hasselblad, it's 56 × 56 mm. Compared to FF Sensors and given a square format, it's a crop factor of 2.34, so the 80/2.8 standard lens actually would be a 35/1.2 on FF
Anyway, these days none of the so called medium format cameras comes close to what was medium format. Most of those sensor are a bit smaller than even 42 × 56 mm (6 × 4.5 cm)
So, why is nobody getting great wall size pictures out of a smartphone? If it's just an illusion? If you don't see the difference what PhaseOne and Hasselblad show you on their galleries, then it's just nothing for you. Otherwise, try to make one of those picture with your FF and make it looking the same way.
http://en.wikipedia.org/wiki/Perspective_distortion_(photography)