Hello,
I am looking for some new lens recommendations. I have a D7000 with Sigma 10-20, Nikon 18-105, and Nikon 70-300. I also have an SB-800. We have a newborn on the way later this year and I am looking to get one or two faster lenses. I am debating between a 2.8 mid range zoom (Nikon 24-70) and a prime lens setup. What would you guys with children recommend me in my situation? I have no issues buying used if that makes a difference.
Best Regards,
BFD
Comments
We will leave this thread open, at present to see what some new folks amy have to offer.
As to a lens to use with the newborn... on a crop sensor I would suggest either a 50mm f/1.4 or 85mm f/1.8. The latest 85mm f/1.8 is a stunner of a lens. Some may suggest going to 105mm f/2 or even 135mm f/2. I would avoid flash with youngsters.
The 35mm 1.8 may be a better option than the 50mm 1.4, I prefer a slightly wider option.
There are a lot of considerations on the path you're taking, money, convenience and expectations.
The 50mm 1.4mm is terrific. So is the 35mm f1.8 (a DX lens) and the 85mm f1.8. The f1.8 lenses are a tad slower and much less expensive. DX lenses will be good for your D7000, but won't upgrade well if you go to FX, something to consider, and prime lenses will be a pain to crawl around with hunting a baby - it's all I had with mine, and a zoom would have been a god send.
Fast zooms such as a 17-55mm f2.8 (also a DX) is heavy as is the 28-70mm, and the latter is a 42mm to 105mm equivalent. That is pretty good, but 28-70mm is really good for FX, but 42-105mm less so (IMHO) - everyone's entitled to their opinion - in a room, in a house, I think the lens won't work so well, generally - it just won't be wide enough. The 17-55mm will, but again, it's a DX. I have that lens and it's great, but know that it's a DX investment. I would recommend the 17-55, but it will be heavy and weighty and plain hard to control - a real work out. It will do the job, nicely, but like your little one, you'll get a work out.
The 35mm is a lighter, faster and easier to control and has normal view of the human eye, hence the name 'normal' lens. It's really quite inexpensive and highly recommended for any kit. While I'd not recommend it as the only lens, I would recommend it as a handy lens, and I take a boatload of pictures with it and learn a lot with it, still. You might, too. It will be terrific for some shots, especially outside.
It and/or the the 50mm will be hard to choose from for shooting portraits. I have both; clearly I couldn't decide on one.
The 85mm f1.4 is expensive and fantastic and the 85 f1.8 is half the price and the one I have. It isn't one I would recommend for your immediate kit. It is something that a lot of folks look at down the line.
As for other brands, I've had a few, but I bought Nikon bodies for the lenses in the first place, so there wasn't any point in the long run at looking any other brand of lenses.
I would get the 17-55, the 35mm and the 50 (in order), used or refurbished and have fun.
My best,
Mike
Once you are comfortable with your shooting technique then get the lens that Mike recommended; hence the 17-55. Once you have master it, then the 85 1.8G is a no brainer.
Good luck and congratulation on your soon to be fatherhood....cheers.
I would buy a second flash eg SB 910 a brolly and may be 2 pocket wizards
the 24 -70 is an FX lens and would be a wast on a Dx camera . I would only get this lens if you looking to "more up" to a D800 in the future
For me the perfect set up, for kids , would be, the 24 -120 f4 on a D800 with 3 SB910 two brollies and PWs
Thank you everyone for your responses.
"My D7000 has plenty of shots left in it, but the point has been brought up of migrating toward FX at some point which is something I intend to do."
Again, how long? And how many shots and do you shoot for yourself or for others (and I don't know how much that really matters - you might be more demanding than anyone else).
I would sort of get Zen-ish about it. If you have Adobe Bridge, riffle through your pictures and see which ones you like the most, moreover, which ones you liked taking the most, and want to revisit in the future and see what focal length the lenses are. That will really clue you into what lenses you need in your kit.
It seems that camera makers are leaning to FX in the future, but the DX cameras that exist now will still shoot what they shoot now as well for a long, long time. ;-)
My best,
Mike
One that that 7C mentioned, and I totally agree, the 18-105mm is a great lens and I use it a lot. It's got some terrible wear marks on it since it's made of plastic, but I think it will still last a long time; it just look like crap.
Kit lenses get a lot of trash talk, but their optical quality is quite good. They are tack sharp and as 7Crossing pointed out, at f8 with a bouced flash, your results would be very pleasing. The lens doesn't offer itself for hand-holding at candlelight venues, but then, few do. Nor does it at low wattage, fast baby moves either. But it is a nice lens for outdoors and with a flash. I have a modifier by 'Gary Fong' that slips over the flash that works 'fairly' well. The nice that is that is cheap enough and easy.
In the press corps - long, long ago - we use a piece of cardboard taped to the flash to bounce to the subject, but that's a history subject. ;-)
My best.
Mike
24 -70 or 24 -120 ?
Those of us who have the 24 -120 love it
and every one with the 24 -70 seems happy as well
there are no hidden advantages or disadvantages
The 24 -120 has VR and and a longer "reach" but is "only" f4
The 24 -70 give you an extra stop but has no VR
Having "only" f4 on the 24 -120 is not much of an issue; at 120mm @f4 the dof is quite shallow for those "arty" shots
Any distortion in the 24 -120 is easily corrected in post
the 24 -120 is great for Kids, You can do a family group and the next second shoot a close up
I have the 50mm f1.4 but have not used it for the past year. I cannot see the point of have a mid range zoom and a standard prime
the only primes I use is the 105 2.8 macro but I only use it for wild life
also have a fish eye
I would love the 24mm f 1.4 but cannot justify the cost
Remember with FX you can normally shoot at ISO 1600 with out losing too much IQ for
Zoom useless the baby dont move....sorry for my bad english
50/1.8D not very good for bokeh. Nasim Mansurov's review is positive for 50 1.8G but curious if user's experience are similar.
http://www.nikonusa.com/en/Nikon-Products/Product/Camera-Lenses/2199/AF-S-NIKKOR-50mm-f%2F1.8G.html#lightbox/carousel/media=2199_ER3.jpg
Fumble around on Nikon's website and look at the MTF charts for these lenses as well.
I tend to post process most images and also think the 50mm f1.8 (non G) is pretty good.
The bokeh is what it is and how you get it and use it is how you stage it.
I like the 50mm lens a lot,
My best,
Mike
Mike,
Very nice pic! If I could ask, Depth of Focus is from Aperture or that is from some post-process?
Thanks.
@tman - thanks! The DOF is both from the lens and partially from an Windows application (also available in Mac) from Red Giant called Magic Bullet Photo Looks which was bundled with Corel Paint Shop Pro. I'm an Adobe trainer provider, but keep up with all the other software for photo and video, too, and PSP is very good and cheap, and I used do some work for Ulead (PhotoImpact) before they were bought by Corel.
Some of the features in their software for the price is unbeatable. I upgrade for every revision, and it's dirt cheap. The B&W capabilities is terrific and other features are too. There are gems abundance in the software at a very reasonable price. I got Magic Bullet Photo Loooks free with PSP, which was like $45 or so for an upgrade.
@turnthedarncranks - The bokeh is a reason and having the the lens before the G is another ;-), but I also do video, and the aperture ring makes a difference for positive fix when necessary.
My best,
Mike