@WestEndFoto, the extra rubber ring on the lens controls the Focal Length. You twist it to increase or decrease the Focal Length instead of moving closer or farther away. You might want to get a cheap zoom and practice a bit before doing any events, just so you don't forget where the ring is. I worry about you Prime fetishists not being able to operate a zoom properly when "crunch time" happens. :P
I could practice with my 28-200, but the paper it is weighing down might blow away.
I would really like to see them refresh the 17-35 2.8. Too me, combined with a 70-200 2.8 (also due for a refresh), that would be more useful. I don't typically shoot zooms, but I might partake in some event photography where the zooms would be useful. The "client" would buy the lenses for me.
I'd rather see them do this too, hell I'd even like a 20-35 2.8 that was optically superior to the 14-24mm. I had the 16-35mm f4, but I couldn't get past the distortion. I'd take less range on the wide end if the lens was better corrected for distortion. I never shot anything wider than 20mm anyway.
I too have been contemplating this as well. Going with a 16-35 and a 70~200 F4 for my extensive backpacking trip this winter. Love that 24-70 though....
So this is going slightly off topic, but I'll bite. When I first got my 17-35 I used it a lot for landscapes. I find that more and more frequently I turn to the 24-70, especially when shooting in "big" landscapes. For instance, I chose to bring a 24-70 to Alaska over the 17-35, and believe it was the right call. I'm finding that I'm using the 17-35 less and less, although I find it invaluable for astrophotography (coma aside) and interiors. I suppose it depends on where you're hiking. That said, I am bringing the 17-35 on a trip to Africa this year, mostly for night skies. I expect when using it to shoot landscapes, I'll be at the "long" end more often than not.
Yes, it's my widest, but I find that since I've gone FF (I had used it on a D90 for a long time), I use it less and less for landscapes and more for stuff like astrophotography, interiors, or just interesting perspectives. Still a superb lens though.
If you see a good deal on a 14-24 2.8 buy it....it is an amazing lens that I love shooting with. A must have.
There are good deals to be had from time to time as well. You just have to keep checking, or in my case, buy from their local dealer used. I always try out about 5-6 different samples to make sure they are okay and look them over thoroughly. You have to be particularly careful with this lens and it's massive bulb of course...
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The 17-24 range is useful in tight quarters. I suppose that if I was in a wide open space, I might prefer the 24-70-200 combo.