Looking for a little bit wider lens than the widest lens I currently own which is a 50mm 1.8g for taking shots in potentially dimly lit bars and restaurants. I'm torn between adding a 35mm or a 24mm. Another option would be a 24-70mm 2.8 zoom, not exactly inconspicuous, but maybe that doesn't matter. So far I'm thinking:
35mm Good all around lens. Can get a little of peripheral action while being able to focus on detail still.
35mm 1.8g - least expensive and lightest least intrusive, but can't open the aperture up as wide.
35mm 1.4g – expensive, but has great color and contrast although not pin sharp wide open (I have a D810)
35mm 1.4 Sigma Art – Mid range price, but heard of problems focusing in low light. Not crazy about how the bokeh renders in certain situations and how highlights falloff.
24mm Wide enough to capture more of the interior. Might be a better pair with my 50mm.
24mm 1.8g – haven't heard a ton about this lens yet, but seems to be fairly nice like all the other 1.8g series
24mm 1.4g – expensive, great color and contrast. Being so wide probably be able to hand hold 1.4 and still get quite a bit in focus. Only option would be get one used.
24-70mm 2.8 – Covers all the bases, most convenient in that while it's heavier I don't need a bag with a ton of stuff (multiple lenses) but again it's much bigger and more intrusive and can't nearly gather the same amount of light the rest of the lenses can. 24-70mm with VR might be cool for showing action to make places look busy... Probably can't find one used, but who knows.
Anyone have experience with this kind of photography? Suggestions on lenses?
Comments
Still cameras these days are really quite awesome .. what camera are you thinking of ? You probably have an FX? any of the modern FX would be more than capable of working with any of the zooms. Even the Kit 24-85 with F3.5 at the wide end, wont be too shabby ...
Being a photographer is a lot like being a Christian: Some people look at you funny but do not see the amazing beauty all around them - heartyfisher.
The 24-70 2.8E VR is also worth considering. Not as fast and sharp, but he VR will get you there in low light situations.
I forgot about the new Tamron. The images I've seen look great and I didn't even consider it had VC. I'm wondering how the autofocus performs in low light.
How are you liking your new 24-70mm VR?
Sounds to me like the 24mm is what would give you most of what you're looking for although here's a sample from my Sigma 35mm f/1.4 Art shot at f/2.0 in a bar. I'm standing probably 4 feet from her and there's a big window for natural light behind me. I rather like how the scene behind her is rendered. I've had no real focus issues although it does focus more correctly using the center focus point. D800.
Here's an example of the shot's I want to take of detail, but also want something to capture a bit more of what's going on and exteriors.
nikon 14-24mm I almost always shoot it at 14mm and when I need 24mm i use this vs the 24-70mm.
There is also sigmas 24-35mm
24-35 is a pretty small zoom range. I would wonder if it is worth it.
I like my 24-70 2.8E VR. 2.8 is probably a more useful depth of field than 1.4 on a travel lens. With the VR I end up with better low light performance. I suspect the primes are much sharper, but it is likely sharp enough.
I had a 35mm 1.4g for a week before I had to return it because it wouldn't accept filters anymore due to a slightly bent filter ring. I got that for slightly over $1,000. I loved the rendering of that lens, but hoped for more sharpness wide open. The tamron actually has a nice look to it and it's priced really well.
The 24-70mm seems like I could just throw that one lens in a bag and pretty much be set for most situations. I've definitely though about getting one of these quite often. Definitely the most expensive lens of the bunch. Well 24mm 1.4g is expensive as well, but I think there are probably more used copies available.
I also think I prefer 35mm over 28mm, but then again I already have a 50mm and have always liked that. How do you like your 28mm? Anything you don't like about it? I read a little about field curvature, but I think I'd be using this more for interiors and not so much landscapes.
Also both of the lenses you suggested happen to be on sale right now.
The 1.8G lenses are great to shoot with and a bargain. I wish Nikon would make another 105mm that would match the old 105/2.5 AIS - 1.8 would be nice there too it it wouldn't get too large or heavy.
I haven't really even thought of getting a 28mm because I really wanted to get a 1.4 lens that I could keep on the camera 90% of the time for a walk around lens. I thought that would be a 35mm, but I ended up getting a 35mm 1.4g for $1050 and having to return it due to a bad filter ring and after using it I'm not sure it's worth much more than that to me. I really like the rendering, color, contrast, but it's just not sharp enough at the widest apertures.
I've thought about the Sigma, but in many situations the bokeh is also sharper so while the lens is extremely sharp there are a lot of occasions where the bokeh is busy to me especially when there are straight lines. I also don't like how it transitions from dark to very bright, think mountains with blown out sky or windows in a dark room. I think the latest canon 35mm does a great job at balancing the sharpness and bokeh, albeit it's probably the biggest and most expensive of the bunch. I'm secretly (maybe not so secretly) hoping Nikon updates their 35mm 1.4g soon. I'm also curious as to why Nikon released a newer version of the 28mm 1.4D
Also I did some fact finding yesterday and brought my 50mm and 85mm out to a local brewery to make some observations on using prime lenses for this type of work. First it was nice to have small lenses simply because they are light and less intrusive when using them. Although I have a big ass D810 so it's still not like my setup is stealthy.
Changing lenses was kind of a pain in the ass being by myself with my top loader and a lens pouch on the side. Think I'd rather have a messenger style bag for this so I could swap lenses easier inside of the bag.
I was also able to use apertures even up to f/8 while still being under 3200 ISO although this particular place had big garage doors on front, but even in the back I didn't have to go as wide at f1.8. I think WestEndFoto said it, but f2.8 is probably a more usable depth of field if I can get away with it. So the 24-70mm might work even without VR. Which is definitely more affordable (especially used or refurbished) and also a bit smaller, which after checking out photos online of the lens on the camera body, that sucker is huge and could possibly be pretty intimidating (or maybe just make myself more conscious about using it.)
Not sure what you meant by the newer 28mm f/1.8d, haven't seen that.
The Sigma's are all bigger and heavier than their Nikon counterparts (something to consider) and the 24-70 f/2.8 is a beast. I think all of the f/1.8 primes weigh less combined.
You did remind me that I have a hole in my f/1.8 lineup... Of course the 24mm isn't on sale (
Renting isn't probably a bad idea, but I don't live in a city so shipping can get expensive.