Hi all,
Am I the only one who is underwhelmed by Nikon's 100th Anniversary announcements? Could it be that they REALLY have some surprises in store for us (pun intended)?!
My specific interest is a Nikon F7, and the reason why I think the time is ripe for one now is the quiet resurgence of film manufacturing (or it's unwillingness to simply die!). Theough choice is still limited in the digital age quite a few players have rejoined the fray. Now admittedly with probably 200 million film cameras in the used market it doesn't look good for a new film SLR, but that would be to ingore the strength of the micro-market. What?! You know... Those sites that brought you Peak design Bags and Petzval Lenses and Hasselnuts "digital" backs.. And let,s not forget that Nikon is a relatively small company concentrated on imaging. I believe they have enough resources to do a budget build taking the chassis of a D810, sticking in a film transport engine from the F6, updated af from the D5 and a digital back option from a patent they had in 2012 and voila'... Small volume but HUGE publicity that is going to make Canon cringe. Sure we're looking at a global demand of 20,000 units (total guestimate... But have a look at F6 serial numbers as a guide). Fairly easy to limit your losses - only accept pre-orders making it easy on dealers.. Comments?
Comments
Maybe an updated F100 ?
or FM or FE .. FE100 ?
Being a photographer is a lot like being a Christian: Some people look at you funny but do not see the amazing beauty all around them - heartyfisher.
Then again, financially, it makes absolutely no sense.
Being a photographer is a lot like being a Christian: Some people look at you funny but do not see the amazing beauty all around them - heartyfisher.
Even when the F6 was made people were fairly surprised that Nikon put it through production, and even then film cameras were already on their way out.
Again, I share your sentiment, but I sure as hell wouldn't be able to afford it, it would easily be over $4,000.
There are plenty of fully capable film SLR's, and compatible lenses that totally out resolve the available 35mm film stock on the market. Why bother buying an expensive camera, to put lenses on it that are not even going to be fully taken advantage of?
If Nikon really wanted to make a 100th anniversary film camera, just make a limited run of brand new F1's for $25k each and call it a day.
What cost do they have in building the thing anyway. For instance, An F7 would share 99% of the parts with an F5 or F6. There is none or very little cost in re-tooling a plant to build the thing. Their engineers have already been paid and the minor electronics in a potential F7 is not going to be $3000 more than what was in an F100 that sold for $999.
I can almost bet on the fact that Nikon's factory workers are not making $100/per hour to work in the plant. Even with inflation these cameras do not cost anywhere near what they are charging for them even with a handsome profit margin.
Same with the D3,D4, and D5. There are only minor electronics changes to the internals of the camera, the most expensive part being the sensor. Nikon has to be realistic about the cost of this stuff.
I mean, yes you can make the stuff so expensive that only 1% of the population can afford it, but at that point you are putting your self out of business because 3 people a year might buy one.
Being a photographer is a lot like being a Christian: Some people look at you funny but do not see the amazing beauty all around them - heartyfisher.
Then the camera needs firmware and other software to work, and the people that develop those two things get paid a lot of money. You cannot just slap a bunch of parts together and call it a day, even with a camera like the F6, because they are highly computerized. Each camera uses different processors, chips etc, because over time the parts get phased out by the manufactures (Nikon doesn't make most of the micro chips used in the cameras). Then you need to make all those different chips, from different manufactures to talk together, and do what you want them to do.
Then you need to pay people to test it, setup manufacturing rigs, program automated CNC machines to make parts, train people to assemble the camera, train people to fix it (throughout the sales/repair network), marketing, front line sales etc. Nothing is free, just as good photos are not cheap, good cameras are not cheap to make either.
From what I read (mostly Thom Hogan), Nikon didn't really move to modular-style cameras until recently, with the Nikon 1 to cut costs. I don't know if the D750 is a modular camera, but you still need to modify the sensor to accept a film back and all that. I guess you could leave the AF system mostly intact, but that's some serious re-engineering involved.
Could it be done? sure. Would enough people buy them to make it a commercial success? I doubt it.
I think to do it successfully Nikon would have to make it a limited edition F6, with updated electronics, in other words an F6 that can use all the modern lenses. You get the nostalgia crowd and pick up the people who want a modern film camera. No need to reinvent the wheel the F6 chassis is more then fine for film transport and the shutter mechanism really wouldn't need updating, just the metering and auto-focus.
Are there any other examples of this in the industry? Yes - Leica, they figured out they couldn't compete with the Japanese camera companies and turned into a boutique manufacture. Leica shooters (snobs, JK) love Leica, regardless of the product, so there is a market.
I like the idea of a Nikon sub-divison, lets call it Nikon - Classics, that concentrates on re-manufacturing old designs. I'd really love an F2 with just a prism (no meter) in black.
BTW - I also want Nikon to make a Full Frame mirrors-less that looks just like the S3 and I'm going to start holding my breath right now......
Old friends now gone -D200, D300, 80-200 f2.3/D, 18-200, 35 f1.8G, 180 f2.8D, F, FM2, MD-12, 50 f1.4 Ais, 50 f1.8 Ais, 105 f2.5 Ais, 24 f2.8 Ais, 180 f2.8 ED Ais
Being a photographer is a lot like being a Christian: Some people look at you funny but do not see the amazing beauty all around them - heartyfisher.
Sold my 4000 dpi scanners except for epson 750 which I still use for LF.
Was never happy with "C" prints made from dedicated slide scans. Preferred "R" prints along with Cibas.
Bought drum scans for my best work. Prints from epson scans of 4x5 chromes can be excellent, but not a good choice for 35mm.
Love film especially LF (4x5) chromes but not at $7 per sheet total film and E6 processing.
If my interest was b&w film I might opt for a used Leica M4 or M7 rather than look for a mythical Nikon F7. Of course there is the Leica M Monochrome which mimics B&W film, but it is beyond reasonable price. Tri-x is fun film but digital has easily eclipsed results.
Would prefer to see Nikon produce a FF compact with AF which can use F mount lenses and which competes with the Leica Q but with interchangeable lens options.
Again, I would love it for Nikon to make this camera. Like others have said, they made the S3 as an homage to their heritage. Now all we have to do is hurry up and wait.
as for producing the thing, AFAIK Nikon are making the F6 at a rate of 50 a month, so production will just need to be scaled up.
framer
If there are enough folks who want a new camera to reduce some of these limitations, so be it. As for me, my old F bodies and lenses from the 1960's are what I would use, and I suspect the results would be very difficult to distinguish from a new F7, except in some specialized venues.
Oh well....
Who would buy one of these that actually needs something better than and more costly than an F6? And for most folks actually looking for a new film camera, a $1000 or thereabouts price of FM3a would be much more attractive.
The digital back doesn't make sense to me. A lot of engineering cost for very little return. And just physically the back would be fragile and it would be difficult to protect the sensor. I would think almost everyone who would buy this already has a good DSLR anyway - what would the back give you?