I see it as intervention by the photographer to choose himself or herself the image effect required, rather than using a programmed setting which a committee of geeks has decided is "landscape" or "sunset" or "portrait" etc Robin
To me pure photography is having the ability to capture a scene the way your minds eye sees it. To me this requires a great deal of manual control, and thought. Time is not only spent on composition, and seeing the light as it is, but also seeing the light the way a camera does. Understanding the limits of the camera, and using them to creat something. I don't think most of my photos come from pure photography moments. Maybe 1 in 100. ISO, aperture and shutter speed need to be controlled independently by the photographer to achieve this, no auto setting can get you there.
If I take a good photo it's not my camera's fault.
@seven, one (somewhat funny IMHO) comment does not ruin a thread, hang in there :-)
I think/hope what pure photography means is a digital version of my nikkormat FTn. I still use/love this camera and a modern one with dedicated controls would be as pure as pure can be to me.
"Pure Photography" is going back to the old school way of doing things such as using the Zone System and shooting in manual with "old style" clicking shutter speed control dial/aperture ring. The point of this advertizing teaser campaign is to match retro body style with retro photography style. Notice that silver ring around the lens and how he is holding the lens cradled in his left hand to set the the f-stop with that hand. Notice the dial on top of the camera where an LCD is today. That dial will set shutter speed and maybe even P,S,A,M modes.
Like other people when I hear Pure Photography I think of manual exposure and a camera with good controls but without unnecessary stuff (like in camera editing and video). For me it would be good because it minimizes the risk of messing things up and I only use manual exposure anyway. I think many of us have experienced bad images due to a stupid unintended change of settings. I would even like a camera without jpg functionality.
I don't see the point in moving the aperture and shutter speed controls though. I like the wheels of the current DSLRs, where you can easily change exposure without moving the eye from the view finder. I guess I'm too new to photography to appreciate the retro thing all the way.
If they have some kind of hybrid electronic view finder, maybe you could see a live histogram in the view finder? That would be really useful.
Of course "pure photography" can be practiced with any modern DSLR. It is a way of shooting; not a type of camera. I think Nikon is just using it as a catchphrase to "go back to shooting like was done in the classic olden days of the Nikon F when cameras were mechanical instruments instead of computers." The clicks you hear in the video are mechanical sounds from "the olden days."
I am often puzzled, why friends who always use Auto or P and take perfectly composed, correctly exposed photographs at the decisive moment, with beautiful lighting; want to "understand" shutter speeds and apertures
I am not puzzled by the fact that when they do start doing things manually, their results are under or over exposed and suffer from camera shake
One thing AUTO Nikon could remove, is auto bracketing
I am often puzzled, why friends who always use Auto or P and take perfectly composed, correctly exposed photographs at the decisive moment, with beautiful lighting; want to "understand" shutter speeds and apertures
For me it's the opposite. I've tried using automatic modes but find it hard to get the exposure right. I think it takes a lot of practice to be able to comfortably switch between modes.
Not to be cynical, but it's all just marketing. I'm not as offended as Pitchblack, but it is a total hipster thing. These will undoubtedly sell very well in places like Williamsburg, Brooklyn. There's nothing about my D800 and 17-35 that keeps me from doing the same thing the shooter in the teaser videos is doing.
But it does beg the question: What is it about the type of photography that most of us are engaged in that is "impure?"
I actually find the phrase "pure photography" really hipster, pretentious, affected, and offensive.
Hi all,
I agree, it's mostly bullshit.
In my sorted past I was a teacher of photography and of the terrible tasks was judging student works. It was never, ever about about 'art', but rather technical skill and quantifiable results.
I guess when I looked at the OP's post I interpreted this thread different. I ignored the Nikon ad when I was thinking of the answer. I don't care what Nikon thinks "pure photography is."
If I take a good photo it's not my camera's fault.
Yes, this turned out to be a complex thread. My thought was that a minimalistic camera could be interesting. But of course there is nothing more or less pure with using different techniques.
I'm sorry ... I thought you were referring to Nikon's new marketing campaign, which is, as such, designed to sell a crap ton of cameras.
Ignore troll posts. More good answers will come.
I don't think it was a troll post... An entire marketing campaign PB? Did you see it?
Edit: Apparently you did.
My legitimate response was 'it's a lifestyle choice' - as in, to be pure about photography you have to live for it - either as a working professional or as that guy who gets up at 4:30 a.m. to drive to a location and shoot good light. It has nothing to do with gear.
Hmmm, tricky. To me it seems to be about getting the image right in camera and not PP'ing it into submission afterwards. I know people will start going on about old time photographers that burned and dodged, but maybe they didn't practice 'pure photography' either (climbs under table to avoid the storm)?
My legitimate response was 'it's a lifestyle choice' - as in, to be pure about photography you have to live for it - either as a working professional or as that guy who gets up at 4:30 a.m. to drive to a location and shoot good light. It has nothing to do with gear.
I think by necessity most forms of professional photography cannot not equal "pure photography" in the sense being described here. There are so many constraints, conventions, expectations, deadlines -- not to mention money -- that makes most professional photography everything but "pure photography".
Ok let me try again I am not interested in Nikons idea of Pure photography I am not particularly interested in what you think about other people what interests me, is what YOU think is Pure photography
For me, it is getting the image I want, using a camera and a lens, by any means possible
At the moment, my weapon of choice is a D800 using quite a lot of the AUTO settings, shooting RAW and doing quite a bit of post production
Ade -- that makes most professional photography everything but "pure photography"
Interesting argument
If I doing a real estate photo as a professional photographer I will use my skills and equipment to get possible result for my client with in his budget and the time allowed If I am taking a landscape photograph for my self, I still want the best result and , unfortunately , I will still have a budget and a time restraint
Growing up in Colorado, there were some hiking trails which I looked forward to visit every spring and summer, along with my camera (an old F3HP) and a few rolls of slide film. I knew the trails very well, yet at each visit I still found new things to explore and photograph.
It's true that at each visit, I'm constrained by time. But I also had the luxury of coming back to the same trails, many many times, year after year. I had the freedom to photograph whatever I wanted, however I wanted. On some visits I got great shots, on other visits I only got "so so" shots, but with a mental note to come back next time to further pursue some ideas in mind until I get the pictures I wanted.
Such a "pure" pursuit to picture taking would not be possible even if I visited the same exact trails as a professional photographer under assignment.
That is, I would approach the professional assignment in a completely different way: perhaps by first making sure I get "safe usable shots" for the client, always thinking in terms of framing to fit a vertical page or a horizontal double-spread, making allowances in composition for text and captioning, shooting imagery which I think will have wide commercial appeal, etc. It would no longer a "pure" pursuit but one dictated by professional obligations as part of a contracted assignment.
Perhaps it would help some people to substitute the word "elemental" for "pure" and see it as "elemental photogrpahy:" just using the very elemental types of controls which existed when the classic SLR camera, such as the Nikon F, was invented. Nikon doesn't intend to creat the impression that any other type of photography is somehow negative because it isn't done the old fashioned way with the old manual ways of setting camera functions.
I see it will be called Nikon DF for digital fusion. The fusion must be new "electronic guts - likely from a D610" inside an old metal Nikon F body.
Comments
and concentration on light and composition
or maybe
Pure photography... it's Nikon trying to sell a crapton of cameras.
... And no time to use them.
Robin
I though it might be an interesting question
it has just attracted the usual "I hate Nikon" posts
One might as well read the comments in the Daily Mail
Pure photography... it's Nikon trying to sell a crapton of cameras. - See more at: http://forum.nikonrumors.com/discussion/1754/what-is-pure-photography#Item_4
I think/hope what pure photography means is a digital version of my nikkormat FTn. I still use/love this camera and a modern one with dedicated controls would be as pure as pure can be to me.
I don't see the point in moving the aperture and shutter speed controls though. I like the wheels of the current DSLRs, where you can easily change exposure without moving the eye from the view finder. I guess I'm too new to photography to appreciate the retro thing all the way.
If they have some kind of hybrid electronic view finder, maybe you could see a live histogram in the view finder? That would be really useful.
I am not puzzled by the fact that when they do start doing things manually, their results are under or over exposed and suffer from camera shake
One thing AUTO Nikon could remove, is auto bracketing
But it does beg the question: What is it about the type of photography that most of us are engaged in that is "impure?"
I agree, it's mostly bullshit.
In my sorted past I was a teacher of photography and of the terrible tasks was judging student works. It was never, ever about about 'art', but rather technical skill and quantifiable results.
Any thing else is pandering.
My best,
Mike
Edit: Apparently you did.
My legitimate response was 'it's a lifestyle choice' - as in, to be pure about photography you have to live for it - either as a working professional or as that guy who gets up at 4:30 a.m. to drive to a location and shoot good light. It has nothing to do with gear.
... And no time to use them.
I am not interested in Nikons idea of Pure photography
I am not particularly interested in what you think about other people
what interests me, is what YOU think is Pure photography
For me, it is getting the image I want, using a camera and a lens, by any means possible
At the moment, my weapon of choice is a D800 using quite a lot of the AUTO settings, shooting RAW and doing quite a bit of post production
are YOU a PURE photographer ?
Interesting argument
If I doing a real estate photo as a professional photographer
I will use my skills and equipment to get possible result for my client with in his budget and the time allowed
If I am taking a landscape photograph for my self, I still want the best result and , unfortunately , I will still have a budget and a time restraint
Maybe I can give an example.
Growing up in Colorado, there were some hiking trails which I looked forward to visit every spring and summer, along with my camera (an old F3HP) and a few rolls of slide film. I knew the trails very well, yet at each visit I still found new things to explore and photograph.
It's true that at each visit, I'm constrained by time. But I also had the luxury of coming back to the same trails, many many times, year after year. I had the freedom to photograph whatever I wanted, however I wanted. On some visits I got great shots, on other visits I only got "so so" shots, but with a mental note to come back next time to further pursue some ideas in mind until I get the pictures I wanted.
Such a "pure" pursuit to picture taking would not be possible even if I visited the same exact trails as a professional photographer under assignment.
That is, I would approach the professional assignment in a completely different way: perhaps by first making sure I get "safe usable shots" for the client, always thinking in terms of framing to fit a vertical page or a horizontal double-spread, making allowances in composition for text and captioning, shooting imagery which I think will have wide commercial appeal, etc. It would no longer a "pure" pursuit but one dictated by professional obligations as part of a contracted assignment.
I see it will be called Nikon DF for digital fusion. The fusion must be new "electronic guts - likely from a D610" inside an old metal Nikon F body.