So now that the D7100 has been out a while. Thoughts on it? I aim this is going to be my next camera and I might have some motivation to get one in a bit for an event in October 2014. Obviously to be upgrading from my aging D5000.
Any major quirks or problems anyone is having?
D5200, D5000, S31, 18-55 VR, 17-55 F2.8, 35 F1.8G, 105 F2.8 VR, 300 F4 AF-S (Previously owned 18-200 VRI, Tokina 12-24 F4 II)
Comments
Do it. Get it now.
It will probably be after tax time when I can get a new one, but thought I would start looking/asking around. If it goes through I will be the second man at a wedding...I told the person I didn't feel comfortable doing it myself and I really wouldn't with just my D5000. However I would feel better with a D7100 and my D5000 as my second body. We will see how it goes, but I have been eying the D7100 since it came out. Also I would want to get it with enough time to learn it before going in.
@JakesGT's experience is different to mine, I am seeing better than that - I have auto-ISO set with no limits - 6400!
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I have NR off and I never shoot with auto ISO. So while I know I can easily go past 2000 I keep it below that for image quality
I shoot with NR off too, but with autoISO and 3600 is the limit, mainly because indoors you need it that high.
And most DX lenses will not exploit all those megapixels. In my opinion, the D7100 is for someone that wants to shoot good FX glass and is using the D7100 to bridge the gap until FX cameras some down in price, which they are and will continue to do so.
Agree 100%. Sadly FX lenses are the only ones that go on the 7100 or even the 7000. Didn't plan it like that, but that's naturally what happened.
The FF Canon 6D is down to $1350 new... so tempting at these prices, which are now only slightly more than the 7100.
I vowed not to upgrade to the next model on from the D7K but wow, the D7100 is worth it. You forgot to mention that you don't actually have a recent DX camera let alone a D7100 and so are not qualified with actual experience. The 17-55, 10-24,12-24, 10.5, and 40 & 85 micro's are excellent lenses.
I have made up my mind to get one though. Just have to wait a bit.
Yes, your lenses are excellent DX lenses and I agree that they are excellent choices for a D7100 or even a D5300. However, I do have a DX camera with an excellent prime lens probably superior to any DX zoom at 18.5mm. The Coolpix A is in my signature.
I don't believe that I need actual experience with a DX DSLR (which admit I don't own and have never owned) to present an opinion on this for the following reason.
This is the same issue as exists in FX format. I own a D800, which despite the fact that it the highest megapixel density FX camera, it is LOWER than your D7100. I also own glass of varying qualities ranging from the mediocre 28-200 (it was considered a very good quality zoom in its day) to the superb 85mm 1.4G. I can easily identify the limits of the glass on my two 50mm lenses (including the 1.4G). Further, I can see the 85 1.4G get a "little" soft wide open, and this is one of the sharpest Nikon lenses of all time. I expect to see more softness when a higher megapixel density FX camera is released. This means that FX cameras (by the D800) are already getting close to the limits of good FX glass and have likely exceeded the limits of all the zooms except possibly the very finest.
Therefore, I think that it is a safe bet to assume that a DX camera with an even higher megapixel density has already exceeded the limits of the generally inferior (but still good) DX glass.
Note that I said "most DX lenses". I did not say "all DX lenses". Two points.
1.
Primes exceed zooms in image quality with few exceptions (the 14-24 2.8 compared to the 14mm 2.8 comes to mind). Of the 18 lenses in the DX lineup, only four are primes.
2.
Two of the primes, which you own, are micros. Micros, because field curvature is not tolerated, tend to have the best sharpness in a lens lineup. I would not feel confident about saying that these lenses have been exceeded.
However, as I was careful to hedge my bets and say "most", not "all", I stand by my original assertion.
My sensor has gotten dirty a few times. I couldn't tell if it was oil or dust but I know how to clean my own sensor and it wasn't hard. That doesn't happen anymore now.
I ended up getting some better glass because nothing I had before could come close to resolving the sensor. Nikon doesn't really have much good DX glass. I am currently using the Sigma 17-50mm and the Sigma 50-150mm lenses for weddings. They are great sharp optics. I am strongly considering the new Sigma 18-35mm.
The sensor is really good. I have noticed that if I try to push the shadows more than 2 stops in lightroom that I can see some banding. I never saw that with my D5000 but my D5000 degraded fast with higher ISO. I'd take the better ISO any day given the choice. From what I have read I am not sure if everyone else sees the banding or not. It may be a symptom of getting one of the first copies.
The auto-focus system is fabulous! I don't think I could ever go back now!
There was a study regarding autofocus problems posted here at NR and basically it said that 3rd party lenses regardless of the camera they get mounted to more often cause blurred out of focus images. I have a Sigma 85 1.4 and I will tell you shooting wide open the 7100 does have a heck of a time figuring out exactly what I want to focus on when shooting action. I have actually gotten far superior results mounting it to the 1V1 and using it as fast telephoto, where the 1 series hybrid focusing mechanism seems to help ironically. This is just my experience so take it with a grain of salt.
The 7100's crop mode has been a blessing. Longer crop factor means 300 is now 600 instead of 450. And the crop factor shooting mode has roughly doubled the rate of sustained, continuous RAW shooting, which is impressive given that the crop photos are similar in size to the 7000. I own both and now use the 7100 exclusively for distance and have a fast prime on the 7000.