My father picked up the new Corvette Stingray and I have been trying to work out some photograph plans and am looking for some inspiration and any helpful advice or links to some great articles/videos/lighting set-ups. My goal is to get him something he can hang in the garage.
Not sure if it makes much difference but it has a "chameleon" paint job (factory) that goes from deep purple, blues & even green and magenta. All of it is very subtle, very difficult to find the angle to capture it and unlike what I have seen before (and I have owned 2 cars with the "chameleon" type paint and my neighbor does auto tinting for two dealers out of his garage.) Any one who has experienced that and knows some tricks would be great.
Just a note - I will be unable to shoot it indoors.
D800, D300, D50(ir converted), FujiX100, Canon G11, Olympus TG2. Nikon lenses - 24mm 2.8, 35mm 1.8, (5 in all)50mm, 60mm, 85mm 1.8, 105vr, 105 f2.5, 180mm 2.8, 70-200vr1, 24-120vr f4. Tokina 12-24mm, 16-28mm, 28-70mm (angenieux design), 300mm f2.8. Sigma 15mm fisheye. Voigtlander R2 (olive) & R2a, Voigt 35mm 2.5, Zeiss 50mm f/2, Leica 90mm f/4. I know I missed something...
Comments
he sometimes shoots just before sunrise or just after sunset
the sky needs to clear or with very little cloud
Another thought ... if your Father has a favorite area/pub/nook of your city - somewhere that he's spent a lot of memorable time - perhaps you can shoot with that in the background to increase the significance of the photo.
Back in the late 80's I had a gold Porsche 944 and shot a photo of my then 89 year old grandfather standing in front of that car which was parked in front of their old country house. Talk about contrarian imagery. Now I cannot find that photo to save my life but it was the absolute best.
This can be done on the road as well, although to get the rotors glowing may not be possible. It is all about the reflections for static images….
Finding a venue is critical for cars as the background is very important. And, I agree, crappy weather can be a blessing….
I've noticed that I like shooting with my 35mm 1.8 on DX the most.
I've never used one, but I think a circular polarizer like others have suggested could be helpful too.
Shooting cars is relatively fun though, you can be very consisten because you can control most of the variables easily.
Have fun!
https://www.flickr.com/photos/fantinesfotos/sets/72157638863736776/
https://www.flickr.com/photos/fantinesfotos/sets/72157640073989593/
https://www.flickr.com/photos/fantinesfotos/sets/72157632584664847/
https://www.flickr.com/photos/fantinesfotos/sets/72157632049378149/
https://www.flickr.com/photos/fantinesfotos/sets/72157631479143228/
Please understand, many of these shots are simply "snapshots" as that is primarily what I do, but they do demonstrate some different perspectives…..
https://www.facebook.com/rmstudiosuk/photos_stream
Problem is he is a Canon guy, but nobody is perfect.
http://forum.nikonrumors.com/discussion/2218/your-best-shot-of-2013/p3
Also, I got this Ferrari a couple years back.
This is one of my favorites so far for 2014 taken with the 24-70
here is my flickr set. I have a bunch more but i have not uploaded them all.
https://www.flickr.com/photos/91504024@N05/sets/72157632596098378/
|SB-800, Amaran Halo LED Ring light | MB-D16 grip| Gitzo GT3541 + RRS BH-55LR, Gitzo GM2942 + Sirui L-10 | RRS gear | Lowepro, ThinkTank, & Hoodman gear | BosStrap | Vello Freewave Plus wireless Remote, Leica Lens Cleaning Cloth |
+1 on Fritz suggestions.
Personally, I like the following settings/venues for cars: 1) Wide-open venues in order to isolate the car within its surroundings. Hence, open roads, desert settings, cliffs where the background is either the mountain range or the ocean/lake. 2) the car in motion and shooting at slower shutter speeds 1/60-1/40 @ f/4-5.6. You will have to be in another car and would most likely take such image early in the AM or late in the afternoon in order to take advantage of all the color hitting the unique pain job. 3) For those shots within a city, a) find a spot with a good isolating street light and place the car around it and/or b) find a reasonably isolated street intersection and place the car in the middle and shoot from all angles. Such a venue will most likely will be really early in the AM 3:30-4:30AM. This is a two man job. 4) Find or use a model. Nothing like having a sexy female body to go with the curves on the Vet. 5) Buy me a ticket and I will be the second shooter. 6) Drive the car to me and I will shoot the car...you can just drive and hold the cold drinks. :P
Simply FYI, here are a couple I shot outdoors, using a D3100 and the 12-24/f4.
https://www.flickr.com/photos/68039985@N08/6281707859/in/photostream
https://www.flickr.com/photos/68039985@N08/6281707721/in/photostream
Cheers,
Mick