Anyone know what the lenses were ? I think I see the 70-200 F4 but there were 2 more I am not too sure.. maybe a 85 f1.8? or was it a 50 1.4? .... and the new 70-200 F2.8 ?
Post edited by heartyfisher on
Moments of Light - D610 D7K S5pro 70-200f4 18-200 150f2.8 12-24 18-70 35-70f2.8 : C&C very welcome! Being a photographer is a lot like being a Christian: Some people look at you funny but do not see the amazing beauty all around them - heartyfisher.
Honestly, the lens plays only 1/4th of the role into the result. It's the photographer's interaction with the models, the model's confidence and comfort, the light modification by all the crew on hand, and of course, location. I didn't really look at the lenses either. When Zhang says "I'm dying to work with him, and my dream becomes true." that sums it up.
"Honestly, the lens plays only 1/4th of the role into the result."
LOL ! not here in NR I think ;-) .. probably its just me .... heh !
Post edited by heartyfisher on
Moments of Light - D610 D7K S5pro 70-200f4 18-200 150f2.8 12-24 18-70 35-70f2.8 : C&C very welcome! Being a photographer is a lot like being a Christian: Some people look at you funny but do not see the amazing beauty all around them - heartyfisher.
Honestly, the lens plays only 1/4th of the role into the result. It's the photographer's interaction with the models, the model's confidence and comfort, the light modification by all the crew on hand, and of course, location. I didn't really look at the lenses either. When Zhang says "I'm dying to work with him, and my dream becomes true." that sums it up.
Allotting 25% of the credit to the lens is about 24.99% too much.
Comments
i was too busy looking at the results and watching the process
LOL ! not here in NR I think ;-) .. probably its just me .... heh !
Being a photographer is a lot like being a Christian: Some people look at you funny but do not see the amazing beauty all around them - heartyfisher.