"Making of" Pirelli Calendar 2017

heartyfisherheartyfisher Posts: 3,172Member
edited December 2016 in General Discussions


Lovely photos ..

Anyone know what the lenses were ? I think I see the 70-200 F4 but there were 2 more I am not too sure.. maybe a 85 f1.8? or was it a 50 1.4? .... and the new 70-200 F2.8 ?

Post edited by heartyfisher on
Moments of Light - D610 D7K S5pro 70-200f4 18-200 150f2.8 12-24 18-70 35-70f2.8 : C&C very welcome!
Being a photographer is a lot like being a Christian: Some people look at you funny but do not see the amazing beauty all around them - heartyfisher.

Comments

  • Lenses?

    i was too busy looking at the results and watching the process
  • Rx4PhotoRx4Photo Posts: 1,200Member
    Honestly, the lens plays only 1/4th of the role into the result. It's the photographer's interaction with the models, the model's confidence and comfort, the light modification by all the crew on hand, and of course, location. I didn't really look at the lenses either. When Zhang says "I'm dying to work with him, and my dream becomes true." that sums it up.
    D800 | D7000 | Nikkor 14-24mm f/2.8 | 24-70mm f/2.8 | 70-200mm f/2.8 | 35mm f/1.8G | 85mm f/1.4G | Sigma 35mm f/1.4 Art | Sigma 50mm f/1.4 Art | Sigma 50mm f/1.4 EX DG HSM | Zeiss 100mm Makro-Planar ZF.2 | Flash controllers: Phottix Odin TTL

  • heartyfisherheartyfisher Posts: 3,172Member
    edited December 2016
    "Honestly, the lens plays only 1/4th of the role into the result."

    LOL ! not here in NR I think ;-) .. probably its just me .... heh !
    Post edited by heartyfisher on
    Moments of Light - D610 D7K S5pro 70-200f4 18-200 150f2.8 12-24 18-70 35-70f2.8 : C&C very welcome!
    Being a photographer is a lot like being a Christian: Some people look at you funny but do not see the amazing beauty all around them - heartyfisher.

  • Rx4PhotoRx4Photo Posts: 1,200Member
    Yeah, I feel ya Hearty ... we do love gear!! I also noticed what appears to be the 70-200 f/4. Not sure of others. Beautiful work though.
    D800 | D7000 | Nikkor 14-24mm f/2.8 | 24-70mm f/2.8 | 70-200mm f/2.8 | 35mm f/1.8G | 85mm f/1.4G | Sigma 35mm f/1.4 Art | Sigma 50mm f/1.4 Art | Sigma 50mm f/1.4 EX DG HSM | Zeiss 100mm Makro-Planar ZF.2 | Flash controllers: Phottix Odin TTL

  • PeachBlackPeachBlack Posts: 141Member
    Rx4Photo said:

    Honestly, the lens plays only 1/4th of the role into the result. It's the photographer's interaction with the models, the model's confidence and comfort, the light modification by all the crew on hand, and of course, location. I didn't really look at the lenses either. When Zhang says "I'm dying to work with him, and my dream becomes true." that sums it up.

    Allotting 25% of the credit to the lens is about 24.99% too much.
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