I belong to two photo clubs, so each month I see the work of more than 15 photographers. (Excluding what I see on the web) Of those photographers, 6, maybe 8 are what I would call "real" photographers. The rest of us are what I call "play" photographers -- we play at photography, but we do not really work at it. We will not go to the same location day after day and wait hour after hour for the light to get just right. We do not set up portrait lights for hours before the victim arrives.
The play-photographers seem to stress emotions, not sharpness. They seldom blow up an image beyond 13x19.
The real-photographers always produce sharp images, blow them up to feet-x-feet check the pixels, and then print something in the range of 3x4 feet. With one exception, and she is perhaps the best photographer in our clubs. She often blurs the water flow or the shaky leaves, or the dreamy clouds. She uses sharpness as just another tool.
I know that 24mp could be more than enough for any and all of these photographers. The D3 was good enough, it was just too big and heavy.
Post edited by rmp on
Robert M. Poston: D4, D810, V3, 14-24 F2.8, 24-70 f2.8, 70-200 f2.8, 80-400, 105 macro.
I say get what you want to use tomorrow. Even if you are happy with your camera today, if you think you are advancing as a photographer, make sure your equipment does not let you down. There are plenty of great cameras, the D800 or D810 would most likely satisfy your needs for years, but the D850 will only help you further achieve what you want.
I agree with WestEnd, you tend to pixel peep the more critical you get, especially if you get a great lens.
Comments
The play-photographers seem to stress emotions, not sharpness. They seldom blow up an image beyond 13x19.
The real-photographers always produce sharp images, blow them up to feet-x-feet check the pixels, and then print something in the range of 3x4 feet. With one exception, and she is perhaps the best photographer in our clubs. She often blurs the water flow or the shaky leaves, or the dreamy clouds. She uses sharpness as just another tool.
I know that 24mp could be more than enough for any and all of these photographers. The D3 was good enough, it was just too big and heavy.
I agree with WestEnd, you tend to pixel peep the more critical you get, especially if you get a great lens.
Never go down on gear...
(Semi trolling but not really).