Hi All,
I know this may have been asked before, and I know there is definitely a lot of different things on the net however, nothing is helping me come to a conclusion on what would be a more suitable tripod to get for my first time.
Just a brief:
Type of photography: All, I love shooting everything from people to landscape
Equipment: Currently, Nikon D600, Nikon 28-300mm
Looking for: Light, Compact, something that I am happy to travel with.
Budget: £350
I came across the following Giottos Tripod on Wexphotographic and was wondering if anyone had any thoughts\advice or experiences they may be able to share in helping me decide on a tripod and\or would this be considered a suitable beginners tripod
http://www.wexphotographic.com/buy-giottos-vitruvian-vgrn8265-tripod-plus-mh5501-652-ball-head/p1526332Thank you and forgive me if this upsets anyone for asking “yet another question on tripods”
Comments
more so than certain other camera products, we buy tripods for their tangible qualities, their size, weight, stability etc. and this can only truly be gauged in person
if you cant see in person be careful of the lengths and weights, carbon fibre does not necessarily equal light. remember that aluminium is not exactly known for its heaviness, and there is often not a huge difference to be had even when spending huge amounts of cash
i would say that tripods + heads will be at the lightest around 1kg and go up to 2.5kg perhaps, and the one you have chosen is in the middle at 1720g
I have an Induro and am very happy with it.
I was told the smaller the camera the larger the tripod. If you are spending 350 Euros, you may want to keep this for a long time. Induro Carbon 8X CT213 Tripod, Induro BHD1 Ball-head will cost you a bit more...but in the long run may be less expensive once you find a tripod with inadequate capacity is not what you want.
You may search out on eBay and find something, but let's see what others have to say....
I do have a big Manfrotto with a selection of heads for studio work and when I am shooting not too far away from the car; but I feel it is too heavy for amateur photography away from home
So what mikep said - test drive the tripod if you can. At least consider the ergonomics. Weight is important (yeah, the aluminum is a little heavier; carbon fiber is nice), but also look at the working height. My $0.02.
With a budget of £350 ($450/420 euro) you should be able to get a very nice tripod so no need to feel that your budget is small. Try to get one you can hang your camera bag under when it is windy - that has saved my skin before now.
many manfrotto tripods have an extension arm that you can move to the side - first I thought it was a useless gismo, now I use it more often than not..
Thank you very much for your input and suggestions.
I will go this weekend and see what tripods I can find in the shops and have a little play around.
Will let you know how it goes
One piece of advice I forgot: If you are BIG into panoramas, look for a round QD plate as once the camera is leveled, it stays level as you rotate it. There is a load of c**p talked about the need for panoramic heads to do pano's, if you are outside shooting landscapes you will not notice the difference. If you are not into panoramas, the world is your oyster, but it seems heads with Arca-Swiss compatibility are useful as part of a system if you go that far.
http://bythom.com/support.htm
Part 1 of Choosing a Tripod
Part 2 of Choosing a Tripod
Part 3 of Choosing a Tripod
Best of luck in finding a tripod that suits your needs....cheers.
I will stick with my original statement....spend the money now....maybe a bit more than budget, and save a lot in the future by not having to change.
My example of this is when I went with the Manfrotto gimbal to save money, used many Manfrotto heads, etc. for my equipment, converted some to the large Manfrotto clamp, then discovered ARCA Swiss......and in particular the "L" brackets for the body. The cost for switching was probably in the $500-$700 range, just to convert to ARCA Swiss. I use the ARCA Swiss clamp to hold the flash bracket to the camera as well.
However, the functionality of having every securing device identical and being able to use the new Induro Gimbal in multiple ways....worth all the effort to convert in spite of the bite in the budget.
So, heavy tripod, top grade head, ARCA Swiss style are the least expensive way to go in the long run.
I think both have their place
One really has to differenciate between a good tripod for on-location stuff and a travel tripod, because that's what he's looking for: In reference to a sturdy, heavy tripod with a sturdy head, the model he's looking for will always be a compromise for functionality in use, but better in terms of portability. But that's the whole point. In comparison to a studio stand any other of all those Gitzo, Manfrotto etc. tripods is the same compromise, too.
I'd rather go for something that's the lightest thing I can get for carrying a certain weight, and then make sure you can make it heavier i.e. with your rucksack or something the like, when you're actually using it (like @spraynpray suggested).
Getting a tripod is very much an investment in your photography gear...much like a lens. The funds spent on such a tool is where "the rubber meets the road." Thus, I highly recommend a more forwad looking point-of-view. Only the buyer know what he or she is willing to spend. May the force be with you.
The gorillapod takes up VERY little space/weight (I fit it in the water pouch in my backpack -- hydration is for the weak) and I let the civil engineers worry about keeping things anchored as I just piggy-back off bike-racks, stop signs, etc. For the selfies at home, I have a cheap $20 craigslist aluminum tripod. It's only real adversary is the cats who show very little interest in it (or anything, really).
There, now you're over 300 quid under budget, go buy a new lens!
and for a hike? body + 50mm thrown in my bag and nothing else!
RRS, Gitzo, & other high dollar tripods should be one of the last things you should spend your money on IMO. They have great products, built to last, but the cost that kind of quality garners just doesn't make much sense if you are still building or expanding your camera and lenses. Manfrotto, Silk, Vanguard, Benro all have fantastic sturdy tripods that will last decades of use, will not break the piggy bank and deserve a serious look.
One thing I have learned is to ignore the "max height" and look for the height without the center column extended. On most all tripods, extending the center column more than a couple of inches starts to make any tripod more unstable and wobbly. I always look for one where the height w/o center column extended puts my camera at chest high or higher. (I'm only 5'8" so that is a bit easier for me.) That equals about 49 +/- inches w/o the center column extended on me. I always use 5 inches added to that to account for the ballhead & camera for the "eye finder" height. That is a good height for most any photography and I have found that "rule of thumb" height generally is a break point from wobbly to a base wide enough for good steady footing.
I just picked up a Vanguard 283CT in the last year and love the thing. Got a great deal on it but that is more of a studio/large size tripod. For years I have used a Manfrotto 190 CF and that is a good balance between size and sturdiness. I have been looking very seriously at the BENRO Travel Flat AL Tripods (A1190R) and the reviews are quite good on them. They actually fold flat which I really like and would travel much easier with shoulder bags. I would probably look at a Acratech GV2 Ballhead/Gimbal Head for that set-up. 3.5lbs total!
I have a Manfrotto 468MGRC5 Magnesium Hydrostatic Ball Head that I swear by. It holds 26lbs+ easily. As I said above, the ball head means more than the sticks it's on. Personally I wouldn't look at any ball head that holds under 20lbs. Tilt a camera with a lens like the the 28-300 at an angle, and the actual weight (force) on the head increases dramatically. Most heavy duty heads are in the $250-400 range and will outlast almost every piece of camera equipment you own. I would pick a ball head first and then whatever you have left, spend it on the legs. Just my 2-cents.
This particular head functions like the RRS heads my friends seem to have. In the dark one could not tell the difference. IMO
This is an excellent head, which ever clamping system you choose and Adorama has it on sale for less than USD $200 http://www.adorama.com/BG468MGRC2.html
(I rounded the numbers up to make stuff simple and to assume you would want the total force on the high side.)
I weighed my D300+ battery grip+70-200vr= almost 6lbs.
At a 45deg angle the force pulling down is almost 6lbs or basically the same as the actual item.
Add 6 + 6=12lbs of force on the head. Just adding a flash gets you to the 15lbs. Remember you also have your camera strap, wired remote, and your hand holding/resting on the camera as well. Some 15lb heads can handle it (are actually underrated), some do not.
Making no argument either way - just food for thought of what one may want to look at to hold a set-up steady.
70-200vr is listed at 30oz
28-300vr 28.2oz
70-300vr 26.3 oz
16-35vr 24oz
24-70 31.7oz
D7100 23.8oz
D600 26.8oz
D800 31.7oz
D4 41.6oz
Sb910 14.8oz
SB700 12.7oz
16oz = 1lb
Downward force at a 45deg is approx 100% of the body/lens combo. (rounded for easy math.)
So to calculate the force:
(Body+lens) x 2 = downward force exerted on the ballhead.
So for example a D600 + 28-300vr:
-(body+lens) 26.8+28.2=55oz x 2 = 110oz/16 = 6.9lbs
I think a head that can handle double your normal use need is a good rule of thumb. (So 7lbs x 2 =14 A 15lb head would cover it.)