I think the problem is more than the adjustment brush should be used for, it looks general to me. But anyway, whether this image is worth it or not, IMHO the learning experience you will get is definitely worth the effort.
Snow is try difficult to manage as the slight difference in monitors will change it considerably. Snow is white, so in low light it is gray. I might take the image and move slightly toward more green and lighten the snow slightly. (On my monitor)
And, calibrating is often quite subjective no matter what we use.
I know what you mean Dissent, You can try the HSL (Hue - Saturation - Luminance) section in LR, Click on the - Adjust - button, then you can work with the colors direct in the picture. The grey clouds gives you a reflection, but there is also a lot of blue reflection. With this method you can adjust that. Hope this is a tip.
Post edited by [Deleted User] on
Those who say it can't be done, should not interrupt those doing it!
Snow is try difficult to manage as the slight difference in monitors will change it considerably. Snow is white, so in low light it is gray. I might take the image and move slightly toward more green and lighten the snow slightly. (On my monitor)
And, calibrating is often quite subjective no matter what we use.
No kidding. I have a cheap laptop and have not figured out how to calibrate the colors, etc. But I did take Msmoto's advice; use an ev of +1. That helps with the snow, but when tracking BIF, I seem to come across dark backgrounds ( tree stands ) that seem to be too dark.
@elopez95 - you should turn on flash, this will bring the main subject. at this moment it's way to chaotic. I don't know where should I look. the sun, the person, the bridge. if you were attempting silhouette than there's too much things going on over here.
With focus staking you dont need to have the whole thing in focus .. the way you have done it flattens the image too much..
Moments of Light - D610 D7K S5pro 70-200f4 18-200 150f2.8 12-24 18-70 35-70f2.8 : C&C very welcome! Being a photographer is a lot like being a Christian: Some people look at you funny but do not see the amazing beauty all around them - heartyfisher.
Interesting. Here I thought I'd left not enough in focus. To me, there's a certain "artificiality" to this image. That's not quite the right word, but it's best I can come up with. I can't quite put my finger on what I didn't like about this, but your word "flattening" does come close. If you notice there are some petals in the absolute foreground that are out of focus, as well the ones furthest to the back. Are you suggesting that I narrow that in-focus band further?
Very much looking forward to trying this outdoors in real light. Currently there's 2+ feet of snow on the ground, with temperatures in the single digits below zero. Although I think I will try and do this with natural light through a window.
I think MSMoto is right .. its probably a combination of the "mostly in focus" flower and the front on lighting that also helped flatten the image. also the symmetrical composition probably contributed somewhat to the "flattening" . also I must confess i did not click through to the bigger image at first ... its not as "flat" when viewed larger..
Post edited by heartyfisher on
Moments of Light - D610 D7K S5pro 70-200f4 18-200 150f2.8 12-24 18-70 35-70f2.8 : C&C very welcome! Being a photographer is a lot like being a Christian: Some people look at you funny but do not see the amazing beauty all around them - heartyfisher.
I tried my very first HDR set this weekend. The process (planning the shots and post processing them) was very exciting. Please can you guys take a look and let me know how can I improvise? Lot of HDR shots I see look very surreal/artificial, so I tried my best not do that and keep the scene as close to the original as possible.
P.S: Only when I saw this on the computer at work I realized the red on the truck might be little over saturated. As my home monitor isn't calibrated (where it looked close to natural) for color (neither is my office one) I couldn't tell how it looks in real, on a calibrated monitor. Can someone suggest, is it too red...?
This one was shot through the window of the same truck. Though I used CPL I couldn't cut reflection/glare completely, even after making sure that the light source was at almost 90 degrees angle. Is there is better technique to do it?
The truck is very red but to me still acceptable. The grass on the bottom left of the picture suffers from alignment problems which is distracting (common with HDR). Sometimes on windy days it's hard to eliminate alignment issues completely, but doing rapid auto bracketing (instead of bracketing manually) often helps. I assume you've already turned on the "auto align" feature of your HDR software?
On the second picture, to eliminate the reflections... roll down the window. :P Joking aside, reflections often add ambiance to the picture. I quite enjoy this version you have on Flickr:
I viewed the same image on many more screens (friends' and colleagues') and realized that whatever I do, its gonna look different on different screens. I've made my peace with the fact that even when I adjust it on a calibrated monitor, many more people will still see it as bright red. So I will worry when I get it printed, I'll make sure that color correction is applied.
doing rapid auto bracketing (instead of bracketing manually) often helps. I assume you've already turned on the "auto align" feature of your HDR software?
Yep, I did them both but these were hand held. May be I should have bumped up my ISO little more. I was @ ISO 640 and my slowest shutter was 1/80 I believe. I could have bumped up the ISO for a faster shutter. I'll keep that in mind next time.
On the second picture, to eliminate the reflections... roll down the window. :P Joking aside, reflections often add ambiance to the picture. I quite enjoy this version you have on Flickr:
LOL!!! you won't believe it, but thats the 1st thing I tried but I couldn't even open the door to do that. I hadn't thought about the reflections that way, but now when I look at the pic again, I must agree that the reflection adds to the overall feel. I had saved this other pic to post on PAD today
Thanx again, for all your inputs @Ade. I really appreciate them.
when I did HDR with the D300 I guessed until I found about the xrite. The oversaturated colors worked in my favor as one of those guessed photos keeps selling for wall prints.
Adjust to what you feel hits the spot. Subtle HDR is great but some people will appreciate the oversaturation possibly the instragram crowd but if it works for you is all that matters.
I might crop a bit tighter. And, in post, to bring the bird off the background, darken and desaturate the background, not easy with this one, and bring up the contrast and saturation of the bird. I like the image, almost an expression on the birds "face".
Msmoto, thank you for the suggestions. I had already done all that except cropping a little closer. I will tray it too to see if I can isolate the background even more. Maybe I should dial the expose down more and lighten the bird as much as possible.
Comments
I think the problem is more than the adjustment brush should be used for, it looks general to me. But anyway, whether this image is worth it or not, IMHO the learning experience you will get is definitely worth the effort.
And, calibrating is often quite subjective no matter what we use.
Being a photographer is a lot like being a Christian: Some people look at you funny but do not see the amazing beauty all around them - heartyfisher.
http://spiritgrooves.net/MacroPhotos.aspx
The lighting can be a factor in how the final image works...
Although I think I will try and do this with natural light through a window.
Being a photographer is a lot like being a Christian: Some people look at you funny but do not see the amazing beauty all around them - heartyfisher.
I tried my very first HDR set this weekend. The process (planning the shots and post processing them) was very exciting. Please can you guys take a look and let me know how can I improvise? Lot of HDR shots I see look very surreal/artificial, so I tried my best not do that and keep the scene as close to the original as possible.
P.S: Only when I saw this on the computer at work I realized the red on the truck might be little over saturated. As my home monitor isn't calibrated (where it looked close to natural) for color (neither is my office one) I couldn't tell how it looks in real, on a calibrated monitor. Can someone suggest, is it too red...?
This one was shot through the window of the same truck. Though I used CPL I couldn't cut reflection/glare completely, even after making sure that the light source was at almost 90 degrees angle. Is there is better technique to do it?
28,50,85 f1.8G; 24-120 f4 VR; 70-300 f4.5-5.6 VR; Rokinon 8mm f3.5 fisheye
http://www.flickr.com/photos/96054917@N06/
The truck is very red but to me still acceptable. The grass on the bottom left of the picture suffers from alignment problems which is distracting (common with HDR). Sometimes on windy days it's hard to eliminate alignment issues completely, but doing rapid auto bracketing (instead of bracketing manually) often helps. I assume you've already turned on the "auto align" feature of your HDR software?
On the second picture, to eliminate the reflections... roll down the window. :P Joking aside, reflections often add ambiance to the picture. I quite enjoy this version you have on Flickr:
http://www.flickr.com/photos/96054917@N06/13362989844/in/photostream/
my $0.02.
Yep, I did them both but these were hand held. May be I should have bumped up my ISO little more. I was @ ISO 640 and my slowest shutter was 1/80 I believe. I could have bumped up the ISO for a faster shutter. I'll keep that in mind next time.
LOL!!! you won't believe it, but thats the 1st thing I tried but I couldn't even open the door to do that. I hadn't thought about the reflections that way, but now when I look at the pic again, I must agree that the reflection adds to the overall feel. I had saved this other pic to post on PAD today
Thanx again, for all your inputs @Ade. I really appreciate them.
28,50,85 f1.8G; 24-120 f4 VR; 70-300 f4.5-5.6 VR; Rokinon 8mm f3.5 fisheye
http://www.flickr.com/photos/96054917@N06/
when I did HDR with the D300 I guessed until I found about the xrite. The oversaturated colors worked in my favor as one of those guessed photos keeps selling for wall prints.
Adjust to what you feel hits the spot. Subtle HDR is great but some people will appreciate the oversaturation possibly the instragram crowd but if it works for you is all that matters.
28,50,85 f1.8G; 24-120 f4 VR; 70-300 f4.5-5.6 VR; Rokinon 8mm f3.5 fisheye
http://www.flickr.com/photos/96054917@N06/
I might crop a bit tighter. And, in post, to bring the bird off the background, darken and desaturate the background, not easy with this one, and bring up the contrast and saturation of the bird. I like the image, almost an expression on the birds "face".
Oh and you photo is superb.