View outside the apartment bedroom I've rented in Riga, Latvia, tempting to do a shoot there :-) Edit: That never happened, first off when I looked closer the doors were actually locked, and then just before the model came it started to rain quite a lot. Perhaps next time I come to Latvia I can travel a bit more rural and do some urbex shoot again :-)
Post edited by Gjesdal on
D810 | D7100 | Sigma 50mm f/1.4 DG HSM Art |Nikon 70-200mm F2.8 G AF-S VRII ED | Nikon 105mm F2.8 AF-S IF-ED VR II Micro | Sigma 17-50 f/2.8 EX DC OS HSM | Sigma 150-500mm f/5-6.3 DG OS HSM | Coolpix P6000 IR converted | http://gjesdal.org
Chloe is a Korean-American college student interested in doing some fashion looks for her personal book. Curious about the styles of natural light artists such as Dani Diamond and Peter Coulson I decided to go natural/available light for many of these. Shot primarily with the Nikkor 85mm f/1.4G and the Sigma 50mm f/1.4 Art at wide apertures. The key is positioning of the model in reference to the sun and other reflected light sources.
My first attempt at stitching together a panorama. I combined three images that I took with my 28mm 2.8 AIS, using maybe 20mm of each one. I selected the three images in Lightroom right clicked and selected "Edit In" and then "Merge to Panorama in Photoshop" and this pretty much popped out of the other end. The exposures were not even the same and Photoshop dealt with it.
Here is a shot consistent with DonaldJose's advice on my previous shot in the Flickr profile. Five images with a 50mm 1.4G in portrait mode, about 20% overlapping (not quite a third). The one third overlapping is important as the stitching line wanders all over the place. This is the first shot that I took with the intention of stitching into a panorama. When taking my previous shot of Florence, 3 originals in landscape mode, stitching in a panorama was the furthest thing from my mind. What blew me away is that the exposures were all different, and somehow Photoshop adjusted for that.
WestEndPhoto: impressive detail achieved with this technique! NR members. Click through to WestEndPhoto's flicker page and view this image original size. Then look for people in the boats and in the park.
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Sunset in Johannesburg ...
D800, 24-70 f2.8
Edit: That never happened, first off when I looked closer the doors were actually locked, and then just before the model came it started to rain quite a lot.
Perhaps next time I come to Latvia I can travel a bit more rural and do some urbex shoot again :-)
Even though my D7000 obviously has better quality, I love the convenience of my phone.
D800, 24-70 f2.8
with Chloe TaylorLauren
Chloe is a Korean-American college student interested in doing some fashion looks for her personal book. Curious about the styles of natural light artists such as Dani Diamond and Peter Coulson I decided to go natural/available light for many of these. Shot primarily with the Nikkor 85mm f/1.4G and the Sigma 50mm f/1.4 Art at wide apertures. The key is positioning of the model in reference to the sun and other reflected light sources.
D800 | Nikkor 85mm f/1.4G @ f/2.8 | 1/1600 | ISO 200
My first attempt at stitching together a panorama. I combined three images that I took with my 28mm 2.8 AIS, using maybe 20mm of each one. I selected the three images in Lightroom right clicked and selected "Edit In" and then "Merge to Panorama in Photoshop" and this pretty much popped out of the other end. The exposures were not even the same and Photoshop dealt with it.
This is the first in the series, and my favorite shot of them.
Exposure data on your panning shot? My guess is 1/125 or 1/60 sec????
Here is a shot consistent with DonaldJose's advice on my previous shot in the Flickr profile. Five images with a 50mm 1.4G in portrait mode, about 20% overlapping (not quite a third). The one third overlapping is important as the stitching line wanders all over the place. This is the first shot that I took with the intention of stitching into a panorama. When taking my previous shot of Florence, 3 originals in landscape mode, stitching in a panorama was the furthest thing from my mind. What blew me away is that the exposures were all different, and somehow Photoshop adjusted for that.
Chloe TaylorLauren
D800 | Nikkor 85mm f/1.4G @ f/1.8 | 1/400 | ISO 80