Squamishphoto: I could tell the lighting set-up from the shape and placement of the catchlights in the eyes as well as how the shadows fall. I did recognize the "Rembrandt Triangle" on the far side cheek. To me what is unexpected (and makes this photo stand out) is the third light from the background and illuminating the left edge of the face, filling the left cheek hollow and defining the throat in the neck. Really beautiful light from behind washing across an area of the face so often just in shadow. Tell us more about that third light. Was it directed on the background to turn the background white and the light I mention filling the shadows a reflection off the white background or did you direct some of that third light to wash across the subject's face? To me that third light is the key to the effect on the face and I wonder if it is 100% reflected off the background or comes from a softbox set to turn the background white and to spill some light directly on the shadow side of the fact from a source behind the subject or is the strobe set behind the white backdrop to shoot through it?
Gees, the photos we're seeing here are just amazing!! Thank you all for posting.
Resuming my 100 Strangers Project after re-thinking my program. No. 6 - Ziarra, on Palm Beach. A singer who's revisiting her appreciation for photography. I got the feeling that she's no stranger to modeling either. She has big dreams and I wished her well. This is a crop from a full body photo. Thank you D800! **Her tool of the trade was absolutely NO factor to me. ** D800; Nikkor 85mm f/1.4G @ f/5.6 ; 1/125 ; ISO 100 ; EV +1 ; SB-900 on camera.
So my stepdaughter walks in wearing this red wig and says lets shoot. We set up a couple of lights, drape a canvas over a couple of stands and had fun.
Comments
...always nice to see them...
Jürgen
Zinnia in my garden.
D5100, kit lens, side mounted flash.
I had two strobes to the right set up for standard side light/rembrandt light and the backdrop is a light modifier lit with a third strobe.
D3 • D750 • 14-24mm f2.8 • 35mm f1.4A • PC-E 45mm f2.8 • 50mm f1.8G • AF-D 85mm f1.4 • ZF.2 100mm f2 • 200mm f2 VR2
A purple flower in the garden:
Nikon D800 Nikkor AF-S Micro 200 f/4 at f/8 1/800 ISO 200
D800 + AF-S 300mm F4 w/TC14E. ISO2000, F5.6, 1/800s.
Resuming my 100 Strangers Project after re-thinking my program.
No. 6 - Ziarra, on Palm Beach. A singer who's revisiting her appreciation for photography. I got the feeling that she's no stranger to modeling either. She has big dreams and I wished her well. This is a crop from a full body photo. Thank you D800!
**Her tool of the trade was absolutely NO factor to me. **
D800; Nikkor 85mm f/1.4G @ f/5.6 ; 1/125 ; ISO 100 ; EV +1 ; SB-900 on camera.
@Tumbleweed Interesting, it looks like a giant on his back with a big belly.
D4 24-70 2.8 1/500 ISO 8000 @ f/4.5
D7000, Nikon 70-300 AF-S VR, ISO 400, 1/1000, 300mm, f/8.0
D40x
Pitchblack, cool shot.
Most of you probably saw this from my previous post but I'm posting it here as well because I really like it
D90 | 300mm + TC17 | f/5.6 | 1/400s | ISO 200 | -1/3 EV
Hmm. Not sure why Flickr/NRF isn't letting me post this. Try this link: http://www.flickr.com/photos/gdanford/8958035594/lightbox/
Sage - the dried leaves are the spice used in turkey dressing.
D5100, kit lens, 55mm at f11, SB600 flash mounted to side on bracket.
If you look at this enlarged image and scroll down the stem to where the bottom flower attaches to that stem you will find an ant. Quite impressive sharpness from that kit lens! http://www.flickr.com/photos/76080384@N03/8942929649/sizes/k/
Love the dog...
@donaldejose
Yes very sharp indeed...impressive.
Nikon D7000. 70-300MMVR
D4 24-70 2.8 1/125 ISO 100 @ f/3.2