Another stab at composite work recruiting my muscle bound coworker and a background from Universal Studios, Orlando, Florida. The background was actually shot with Nikon's 14-24mm and cropped. He was photographed in studio with Nikon's 24-70mm @ 50mm.
One more from a prior portfolio shoot. The file that I submitted to him was not processed this way as I didn't know if he'd like it. For my own taste, I wanted to give the photo somewhat of a sense of timelessness. Shot with the Nikon 70-200mm VR2 at 70mm; ISO 100; 1/1600 ; f/3.5 He's facing directly East at about 10 o'clock in the morning and the sun was kickin' bootay that day. I used a 3 stop ND filter to render bokeh with proper exposure at f/3.5.
Comments
|SB-800, Amaran Halo LED Ring light | MB-D16 grip| Gitzo GT3541 + RRS BH-55LR, Gitzo GM2942 + Sirui L-10 | RRS gear | Lowepro, ThinkTank, & Hoodman gear | BosStrap | Vello Freewave Plus wireless Remote, Leica Lens Cleaning Cloth |
Mine for today.
D800 | 300mm | f/2.8 | 1/160s | ISO 3200
D800 - AF-S 85mm f/1.8G - f/4 - 1/250sec - ISO 200
Continuing adventures at shepherdadventures.wordpress.com
I got rid of some of the keystone effect in Lightroom, but ran out of clearance at the top of the photo.
nikon D800E Nikkor 70 - 200 f/4
Nikon D-800E 105 f/2.8 vr macro
Tiny Blue Flowers After a Rain
D7100|35mm f/2.8 @ f/5|1/125 sec|ISO 100
D800 | 17-35 | f/5.6 | 1/1250s | ISO 400
... And no time to use them.
Shot with the Nikon 70-200mm VR2 at 70mm; ISO 100; 1/1600 ; f/3.5
He's facing directly East at about 10 o'clock in the morning and the sun was kickin' bootay that day. I used a 3 stop ND filter to render bokeh with proper exposure at f/3.5.