Don't know how you did that to the water but great work..
Thanks. I'm not sure what you're asking about with the water. The photo was shot in color and the water was changed to a bluish/green with bathwater colorant. Having the water be a different color than anything else in the scene makes it super busy to control the look. i also had the makeup artist making the waves in the water. Do you mean anything more specific?
The waves I figured out but the colorant made the difference when flipped to B&W. Its such a great look.
Post edited by Photobug on
D750 & D7100 | 24-70 F2.8 G AF-S ED, 70-200 F2.8 AF VR, TC-14E III, TC-1.7EII, 35 F2 AF D, 50mm F1.8G, 105mm G AF-S VR | Backup & Wife's Gear: D5500 & Sony HX50V | 18-140 AF-S ED VR DX, 55-300 AF-S G VR DX | |SB-800, Amaran Halo LED Ring light | MB-D16 grip| Gitzo GT3541 + RRS BH-55LR, Gitzo GM2942 + Sirui L-10 | RRS gear | Lowepro, ThinkTank, & Hoodman gear | BosStrap | Vello Freewave Plus wireless Remote, Leica Lens Cleaning Cloth |
Your feedbacks are always welcomed....cheers to you all.
Nice image Golf! Very strong blue tones in this one, which is different from the typical sunset, sunrise shot. It seems like there is some strange banding going on in the sky there. Is that clouds? Is that in the original, or the results of editing?
Post edited by Golf007sd on
If I take a good photo it's not my camera's fault.
Heather is an amazingly talented dancer/choreographer who currently lives here in South Florida. Next month she'll relocate to Los Angeles, California to push her career to the next level. I was beyond fortunate enough to meet her and be granted an opportunity to photograph her as she is a very busy girl. She might even compete next year for the Fox TV show "So You Think You Can Dance" so keep an eye out.
D800 | Nikon 24-70mm @ 55mm f/3.2 | 1/400 | ISO 160 SB-900 behind white shoot thru umbrella camera right; SB-910 in Lastolite Ezy-box hot shoe soft box camera left, both triggered by Phottix Odin TTL in manual mode.
@PB__PM. Very odd that those band showed in the upload process. Hence, they are not part of the image but somehow it was produced during the LR Flickr upload procedure. My fix was to export it via LR and then upload them manually. The "bands" are not as vivid as they were on the first attempt.
As for the color...that is all done in post...love playing with the WB.
D4 & D7000 | Nikon Holy Trinity Set + 105 2.8 Mico + 200 F2 VR II | 300 2.8G VR II, 10.5 Fish-eye, 24 & 50 1.4G, 35 & 85 1.8G, 18-200 3.5-5.6 VR I SB-400 & 700 | TC 1.4E III, 1.7 & 2.0E III, 1.7 | Sigma 35 & 50 1.4 DG HSM | RRS Ballhead & Tripods Gear | Gitzo Monopod | Lowepro Gear | HDR via Promote Control System |
Beautiful scene NoXin, I like the 3D looking clouds and the people for scale.
Thanks! When I go to the mountains to take pictures I always end up taking pictures of the clouds as much as the mountains. I love the feeling and perspective they give together when you are that high up (14,060 feet) with an endless view on a good day.
Less than 30' behind this bird...where it landed on the beach in front of me, is the Pacific Ocean....but with the power of the 300 2.8.....the ocean just melts away.
D4 300 2.8 1/1250 ISO 100 @ f/4.0
Post edited by Golf007sd on
D4 & D7000 | Nikon Holy Trinity Set + 105 2.8 Mico + 200 F2 VR II | 300 2.8G VR II, 10.5 Fish-eye, 24 & 50 1.4G, 35 & 85 1.8G, 18-200 3.5-5.6 VR I SB-400 & 700 | TC 1.4E III, 1.7 & 2.0E III, 1.7 | Sigma 35 & 50 1.4 DG HSM | RRS Ballhead & Tripods Gear | Gitzo Monopod | Lowepro Gear | HDR via Promote Control System |
Here's something different. I recently got an old Mamiya C330 and this is one of the first frames I shot with it. The main reason I got it was that I've always wanted to shoot medium format and there's no way I'll ever afford to do it digitally. There's also no denying that there's something a bit magical about film.
Comments
D4 14-24 1/160 ISO 100 @ f/14 /w WonderPana FreeArc CPL
|SB-800, Amaran Halo LED Ring light | MB-D16 grip| Gitzo GT3541 + RRS BH-55LR, Gitzo GM2942 + Sirui L-10 | RRS gear | Lowepro, ThinkTank, & Hoodman gear | BosStrap | Vello Freewave Plus wireless Remote, Leica Lens Cleaning Cloth |
D7100|17-55mm|
|SB-800, Amaran Halo LED Ring light | MB-D16 grip| Gitzo GT3541 + RRS BH-55LR, Gitzo GM2942 + Sirui L-10 | RRS gear | Lowepro, ThinkTank, & Hoodman gear | BosStrap | Vello Freewave Plus wireless Remote, Leica Lens Cleaning Cloth |
D700 17-35mm
D800 | Nikon 24-70mm @ 55mm f/3.2 | 1/400 | ISO 160
SB-900 behind white shoot thru umbrella camera right; SB-910 in Lastolite Ezy-box hot shoe soft box camera left, both triggered by Phottix Odin TTL in manual mode.
As for the color...that is all done in post...love playing with the WB.
Crater Lake, Oregon
D800, MF Nikkor 50mm f/1.2 AI-s, ISO100, f/8.0, 1/60sec
Inside an old windmill
Jürgen
D800 • ZF.2 100mm f2 @ f6.3 • 1/800 • ISO 400
D3 • D750 • 14-24mm f2.8 • 35mm f1.4A • PC-E 45mm f2.8 • 50mm f1.8G • AF-D 85mm f1.4 • ZF.2 100mm f2 • 200mm f2 VR2
D4 300 2.8 1/1250 ISO 100 @ f/4.0
Pentax 645Z DA 25 f/11 ISO 400 Dörr 10 stop ND 156 secs
D800 in DX mode, 70-200 f/2.8
Nikon D7000, 18-55mm