TFD session with my wife (time for dinner). My wife practicing her Makeup and modeling. I took her to the cheesecake factory for dinner.
B800 metered to f8 iso200 1/250 Silver Reflector just below chin Custom WB with new model expo disk Then Color picked the grey card and synced the photos to that image with the grey card.
These Clydesdales are HUGE--just beautiful to watch and stand next to. If you ever get the opportunity to see them make sure you go--it's worth your time. The large view is worth looking at--click below.
Click Large View, Then click on "View Image" Upper Top Right Corner (magnifying glass).
I've been shooting with the 70-200/2.8 because of its fast focus out on the street. This was shot with the D810 @ 2.8, 1/100 and ISO 800 at night. It's good for shooting when you want the whole face in focus and need good fast performance with a moving model. I wouldn't say it's an "artistic" lens, though.
@PitchBlack Sorry to intrude on PAD, but I'm not sure I understand the difference between a regular and an art lens. Your stuff is always several levels above most of the others on here. I had always assumed that what could be called 'art' in your captures were due to you ( and maybe a touch of self-admitted PS ). The lens you used has fast AF, is sharp as heck and your model is good looking 'enough' to survive a shot with an Kodak Brownie. The best definition I've read through Google is that Sigma has this guy named Art who makes those lenses....
Seriously, though, the best description seems to be that Art lens have really big apertures.
What's missing or wrong in the shot? God, I'm such a horrid snap-shot taker, I can't even spot the imperfection.
"White on White". I love this image but I was truly agonizing over this poor animal's condition. It was not long past dawn and was 17ºF (-8ºC) with blowing snow. I was more than dressed for it and was perfectly comfortable. There was already 5" of snow on the ground and we got 2 more before it quit. Wild horses are much more acclimatized to this kind of weather than domesticated ones like this.
Comments
D750 | 24-70mm f/2.8 | 24mm | f/2.8 | 1/25 sec | ISO 1600
B800 metered to f8 iso200 1/250
Silver Reflector just below chin
Custom WB with new model expo disk
Then Color picked the grey card and synced the photos to that image with the grey card.
I'll also post on the critique thread
D810 +105mm 2.8 g = very sharp
D800 | 105 + 36mm ext. tube | f/5 | 1/250s | ISO 250 | -1/3 EV
A big fan from those here @Msmoto
Ananda, sweet sixteen.
D750 | 24-70mm f/2.8 | 24mm | f/2.8 | 1/640 sec | ISO 100
D800 | 105mm | f/11 | 1/15s | ISO 400
The Christmas Polo match
-St. Andrews Scotland
Click Large View, Then click on "View Image" Upper Top Right Corner (magnifying glass).
Seriously, though, the best description seems to be that Art lens have really big apertures.
What's missing or wrong in the shot? God, I'm such a horrid snap-shot taker, I can't even spot the imperfection.
D700 and 600mm f/4 ED-IF AIS
16mm f/2.8 Fisheye AIS, 18mm f/3.5 AIS, 24mm f/2.8 AIS, 28mm f/2.8 AI, 28mm f/3.5 and 35mm f/2.8 UW-Nikkors, 35mm f/2.8 AIS, 50mm f/1.4 non-AI (AI’d), 55mm f/2.8 AIS Micro w/ PK-13, 85mm f/1.4 AIS, 80-200 f/4 AIS, 105mm f/1.8 AIS, 180mm f/2.8 ED AIS, 300mm f/2.8 ED-IF AIS, 600mm f/4 ED-IF AIS, TC14B and TC300.
Hasselblad 500CM with PM90 prism finder and A12/A16 backs, 40mm f/4 CF, 60mm f/3.5 CF, 80mm f/2.8 C, 150mm f/4 C and 250mm f/5.6 C lenses
Busker walking in the cold
D750 | 24-70mm f/2.8 | 70mm | f/2.8 | 1/100 sec | ISO 100