Little D600 test today for sharing, had the 70-200mm f/2.8 on it. Ice pattern. RAW (Always), added some contrast, sharpen 20 in LR. View bigger on Flickr, he that rimes.
Post edited by [Deleted User] on
Those who say it can't be done, should not interrupt those doing it!
I played around a little with the 45mm PC-E while at a dance festival last weekend. I wish I had more room to play with it, as using the altered DOF plane from ground level would have been a fun way to isolate a couple while including a large portion of the room. I experimented both with tilting to isolate a slice of the room, and to place the plane of focus across the dancers' heads as accurately as I could. Live view manual focusing on moving targets was difficult, but if I set the focus before the dancing started I could easily make sure every dancer is in focus. Combining that with the D800's resolution and low light capabilities is an exciting prospect - everybody in focus, without going ultrawide and without having to let motion blur creep in from slower shutter and smaller aperture / excessive noise from higher ISO and smaller aperture.
It is much different from any other dance photos I have tried - other shots I have done that encompass the entire room have used wide angle lenses to get adequate DOF. This is the one of the largest halls I have ever been to, and it is really cool to have the combination of normal perspective, resolution, and depth of field that lets me scan across the entire shot and find people I know at any distance, instead of having most of the dancer melting into bokeh.
I find I like simply setting the tilt/swing to where I want it and them reframing for different shots without adjusting the focus much if at all. Its akin to limiting yourself to a specific focal length, except that its more about a specific zone of focus or the effect it has on the bokeh(one you'll find unique to the lens type).
This one surprised me a little. D300 Tamron 200-500 and a Tamron SP 1.4x tc. AF worked but very slow. F7.1 (F10), ISO 800, 500mm (700mm) 1/500th on a monopod... The TC doesn't relay exif correctly...
@CoastalConn- Great shot! I am almost convinced of the Tamron 200-500 capabilities. I just might go for one! Continuing my Africa series... The Decon Cheetah Refuge, Djibouti Africa February 2012
D5000+Tamron 18-250 @ 250mm, f6.3, 1/125, ISO 1000 It was a hard shot to get with the day light fading and no camera support. This was hand held and holding my breath!
@tganaits- I had been laid-over at the Addis Ababa airport last year (twice) but was not long enough for me to leave and explore a bit. I am really enjoying your photographs and wish to return to Ethiopia some day.
I had taken this some time ago and thought nothing of it, as it was somewhat overexposed. Then recently I saw something on Flickr that reminded me that I had this. So I went back in, reduced the exposure by about 2 stops, and bumped up the contrast. D90 | 105 macro | f/9 | 1/125s | ISO 200
Comments
D5100, 18-55 kit lens.
D90 | 24-70 | 31mm | f/5.6 | 1/250s | ISO 400
D800 | 300mm f/4 | 1/500sec | f/5.6 | ISO 2200 | 420mm
Ice pattern. RAW (Always), added some contrast, sharpen 20 in LR.
View bigger on Flickr, he that rimes.
D800, 70-200 (2.8,VRII) @ 200, 1/320 @ f/4, ISO 320
The Decan Cheetah Refuge, Djibouti Africa
D5000 + Tamron 18-250 @ 250mm, f6.3, 1/320, ISO 250. A little un-sharp. I could not hold the Zebra still!
D800+TC14+N70-200/vrII
Good pictures as usual.
@Brent4ADV I live in Kalispell and used to ski both Blacktail and on Big Mountain.
My best,
Mike
It is much different from any other dance photos I have tried - other shots I have done that encompass the entire room have used wide angle lenses to get adequate DOF. This is the one of the largest halls I have ever been to, and it is really cool to have the combination of normal perspective, resolution, and depth of field that lets me scan across the entire shot and find people I know at any distance, instead of having most of the dancer melting into bokeh.
Original size
D800 - PC-E 45mm f/2.8D - f/2.8 - 1/200sec - ISO 3200
Continuing adventures at shepherdadventures.wordpress.com
I find I like simply setting the tilt/swing to where I want it and them reframing for different shots without adjusting the focus much if at all. Its akin to limiting yourself to a specific focal length, except that its more about a specific zone of focus or the effect it has on the bokeh(one you'll find unique to the lens type).
D3 • D750 • 14-24mm f2.8 • 35mm f1.4A • PC-E 45mm f2.8 • 50mm f1.8G • AF-D 85mm f1.4 • ZF.2 100mm f2 • 200mm f2 VR2
D800, Nikkor 14-24mm @ 15mm ; f/16 ; 4 seconds; ISO 200.
Continuing my Africa series...
The Decon Cheetah Refuge, Djibouti Africa
February 2012
D5000+Tamron 18-250 @ 250mm, f6.3, 1/125, ISO 1000
It was a hard shot to get with the day light fading and no camera support. This was hand held and holding my breath!
D800, 60mm macro @f/2.8, 1/20 @ ISO 5000
D5100, 18-55 kit lens.
D90 | 105 macro | f/9 | 1/125s | ISO 200